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    Mic Choices and Placement TUTORiAL

    SYNTHiC4TE | Sept 19 2016 | 123 MB

    Asking the right questions about your microphones before the talent arrives is what separates a great recording from a good one. When is it better to use a dynamic mic instead of a condenser? How do you place each mic and which is the best polar pattern for each application? You will find the answers to these questions and more as we progress through this course.


    Viewed 1534 By Music Producers & DJ´s.


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    Kevin W. Moreland Kawai KG-2E Close Mic Version GiGA

    Team TZ7iSO | 10.28.2004 | 128.57 MB

    The worldwide known instrument Kawai KG 2E recorded close mic. In fact, this piano sample set used to be a freebie but can’t be found anymore as far as I know. Still a nice one.


    Viewed 3145 By Music Producers & DJ´s.


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    Drum Setup and Mic’ing in the Studio TUTORiAL

    TEAM kEiSO | 2015.03.27 | 681 MB

    In this course, filmed on location in one of the best drum-recording rooms in Los Angeles, EastWest Studios, GRAMMY-winning recording engineer Ryan Hewitt explains his techniques for capturing drum sounds.


    Viewed 2267 By Music Producers & DJ´s.


  • CONTACT MIC SFX WAV
    March 16th, 2015 ⚡
    Categories:

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    CONTACT MIC SFX WAV

    P2P | 16.03.2015 | 3.65 GB

    Recording with contact microphones is fascinating territory to explore due to the unpredictable results; it encourages experimentation! Inspired by the incredible work of Alan Splet and Anne Krober on Dune (as described in this article) I bought a custom built Trance Audio Inducer contact mic and preamp back in 2001, and have been experimenting with it ever since. A couple of years later I added a pair of Barcus Berry Planar Wave contact mics and while these mics featured in Tortured Piano this library is something else again: it is literally the result of hundreds of hours of experimenting… If you’re interested I have explained some of my experience in more detail in this article One aspect of contact mic recording that is fascinating for sound design is the lack of acoustic – there is no reverb due to the sounds being recording via direct vibration, not through the air. This feature alone makes for very malleable sounds, excellent as components and layers in complex, composite sounds or for when you need an abstract organic sound but where the actual source must remain concealed…


    Viewed 3836 By Music Producers & DJ´s.

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    MuteMyMic v1.10 MAC OSX RETAiL

    TEAM CORE | 2015/03/05 | 859,57 KB

    Have you ever wanted to mute your microphone exactly the same way as Output Volume? Now it is possible. MuteMyMic provides you with easy way to control Input Volume from the status bar or via keyboard shortcuts. Application works in a background and allows you to control the Input Volume with a single key or mouse click while at the same time you can enjoy your favorite applications that require your mic. Now, you can adjust volume of your Internet phone calls right from the keyboard shortcuts. Since version 1.7 MuteMyMic is integrated with Growl. It will notify you each time input volume was changed by other applications. There is a new feature – “force mute”. Whenever MuteMyMic determines that microphone was unmuted it will mute it again (this feature can be enabled/disable via Preferences panel).


    Viewed 3607 By Music Producers & DJ´s.


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