• Mic Locker You87 192 khz For Nebula
    December 20th, 2022 ⚡
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    Mic Locker You87 192 khz For Nebula

    Mic Locker You87 192 khz For Nebula

    Team MAGNETRiXX | 11 March 2014 | 180 MB

    This sampling is part of the Microphone Locker Series. These presets need to be combined with my various preamps to really shine. They sound harsh on their own as I used very transparent tools to sample them, but plug them ‘virtually’ into one of my preamps to get them to sound right. A bright mic needs a soft preamp like the E-M-EYE and a smoother mic like the ribbons I offer need perhaps the brighter pres like the TCS ( API ). Up to you to experiment but that is why having the full array of my preamps can turn this collection into a powerful sound sculpting arsenal. Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 6 presets. Library size is 184 MB. 10 distortion kernels. 2 distances. Please note that these require a fully licensed Nebula Pro license to enjoy.


    Viewed 4335 By Music Producers & DJ´s.


  • Mic Locker You67 192 khz for Nebula
    December 19th, 2022 ⚡
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    Mic Locker You67 192 khz for Nebula

    Mic Locker You67 192 khz for Nebula

    Team MAGNETRiXX | 17 February 2014 | 94.06 MB

    Part of the proceeds of this work support my chosen charity,the Mumvuri Project. This is an orphanage that I am the patron of in my native Zimbabwe in Africa and this website is an integral part of my fundraising for them. This sampling is part of the Microphone Locker Series. These presets need to be combined with my various preamps to really shine. They sound harsh on their own as I used very transparent tools to sample them, but plug them ‘virtually’ into one of my preamps to get them to sound right. A bright mic needs a soft preamp like the E-M-EYE and a smoother mic like the ribbons I offer need perhaps the brighter pres like the TCS ( API ). Up to you to experiment but that is why having the full array of my preamps can turn this collection into a powerful sound sculpting arsenal.


    Viewed 4171 By Music Producers & DJ´s.


  • Mic Choices and Placement TUTORiAL-SYNTHiC4TE
    September 21st, 2016 ⚡
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    Mic Choices and Placement TUTORiAL

    SYNTHiC4TE | Sept 19 2016 | 123 MB

    Asking the right questions about your microphones before the talent arrives is what separates a great recording from a good one. When is it better to use a dynamic mic instead of a condenser? How do you place each mic and which is the best polar pattern for each application? You will find the answers to these questions and more as we progress through this course.


    Viewed 1704 By Music Producers & DJ´s.


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    Kevin W. Moreland Kawai KG-2E Close Mic Version GiGA

    Team TZ7iSO | 10.28.2004 | 128.57 MB

    The worldwide known instrument Kawai KG 2E recorded close mic. In fact, this piano sample set used to be a freebie but can’t be found anymore as far as I know. Still a nice one.


    Viewed 3684 By Music Producers & DJ´s.


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    Drum Setup and Mic’ing in the Studio TUTORiAL

    TEAM kEiSO | 2015.03.27 | 681 MB

    In this course, filmed on location in one of the best drum-recording rooms in Los Angeles, EastWest Studios, GRAMMY-winning recording engineer Ryan Hewitt explains his techniques for capturing drum sounds.


    Viewed 2608 By Music Producers & DJ´s.


  • CONTACT MIC SFX WAV
    March 16th, 2015 ⚡
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    CONTACT MIC SFX WAV

    P2P | 16.03.2015 | 3.65 GB

    Recording with contact microphones is fascinating territory to explore due to the unpredictable results; it encourages experimentation! Inspired by the incredible work of Alan Splet and Anne Krober on Dune (as described in this article) I bought a custom built Trance Audio Inducer contact mic and preamp back in 2001, and have been experimenting with it ever since. A couple of years later I added a pair of Barcus Berry Planar Wave contact mics and while these mics featured in Tortured Piano this library is something else again: it is literally the result of hundreds of hours of experimenting… If you’re interested I have explained some of my experience in more detail in this article One aspect of contact mic recording that is fascinating for sound design is the lack of acoustic – there is no reverb due to the sounds being recording via direct vibration, not through the air. This feature alone makes for very malleable sounds, excellent as components and layers in complex, composite sounds or for when you need an abstract organic sound but where the actual source must remain concealed…


    Viewed 4068 By Music Producers & DJ´s.

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  • MuteMyMic v1.10 MAC OSX RETAiL-CORE
    March 5th, 2015 ⚡
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    MuteMyMic v1.10 MAC OSX RETAiL

    TEAM CORE | 2015/03/05 | 859,57 KB

    Have you ever wanted to mute your microphone exactly the same way as Output Volume? Now it is possible. MuteMyMic provides you with easy way to control Input Volume from the status bar or via keyboard shortcuts. Application works in a background and allows you to control the Input Volume with a single key or mouse click while at the same time you can enjoy your favorite applications that require your mic. Now, you can adjust volume of your Internet phone calls right from the keyboard shortcuts. Since version 1.7 MuteMyMic is integrated with Growl. It will notify you each time input volume was changed by other applications. There is a new feature – “force mute”. Whenever MuteMyMic determines that microphone was unmuted it will mute it again (this feature can be enabled/disable via Preferences panel).


    Viewed 4099 By Music Producers & DJ´s.

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