The new ELECTRONIC MUSICIAN is a “must have” resource for anyone who makes music, plays music, and shares music. Every issue includes “gig tested” product reviews on music gear, tons of how-to’s, and interviews with today’s stars revealing the secrets of their songwriting approaches and audio-production concepts.
Mix is the world’s leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.
Imagine some of those iconic cinematic scenes without the music. The scintillating establishing scenes of Blade Runner’s futuristic Los Angeles, Elliot and E.T. soaring past the full moon on their flying bicycle or Luke Skywalker staring up at the twin suns of Tatooine. In our cover feature this month, we present the complete guide to the process from a professional standpoint, with industry advice and even step-by-step guides to try some of the unique creative processes yourself. In addition to our main feature, we also speak with in-demand composer Junkie XL about his work on top-tier blockbusters and commemorate the 20th anniversary of Air’s Moon Safari in this month’s Recording Spotlight. Our expanded tutorial section now (once again!) covers Pro Tools, as well as our usual range of reviews, tips and the second part of our Essential Guide To Plug-In Effects. We hope you enjoy the issue…
Electronic Musician is not merely a recording magazine but covers all aspects of music production—performance, recording, and technology, from studio to stage. EM finds the top artists and producers – as well as all the musical trendsetters – and gets them to advise, mentor, and detail their craft. Each issue gives you the tools you need to make better music, from production to performance. Plus tips and techniques, gear reviews, and insights from today’s top artists.
Working with vocals can be tricky. More often than not, when there’s a vocal present in a track it automatically becomes the defining part of the composition. Whether it’s a short sampled hook, a full recorded lead vocal or a remix acapella, the quality, clarity and tone of the vocal line can leave a lasting impression on the listener and define how they hear your track. While, naturally, the source material plays a major role, how you process and mix vocals can totally transform the end result. In this month’s cover feature, we’re digging into the multitude of ways we can work with vocals to bring out the best in them. Whether you’re looking to refine a recorded vocal, flip a short sample or enhance an acapella, we’ve got ideas and tips to help you along.
Start-to-finish keys course | FREE Scale Player MIDI plugin | Dave Clarke interview | 3 sample packs | Tom Hades 90-min studio video | Arturia VC6 & Logic Pro 10.4 guides… and more!
Audio Media International (AMI) will offer a combination of Audio Media’s 25-year print heritage and the unrivalled online strength of Audio Pro International, creating the leading technology resource for the pro-audio end user. As well as covering the recording, post-production and broadcast markets – Audio Media’s specialist areas – AMI will also serve the live and commercial install sectors, where Audio Pro International has always been patricularly strong. Audio Media International will deliver a wide variety of in-depth industry content, including product news and reviews, a ‘how-to’ section, real-world end-user case studies, show coverage, technology focuses and features in a highly accessible format. Key figures from across the industry will offer their thought leadership on important issues in an Opinion section.
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