Mark Studio 2 v2.0.21 WiN

TCD | 17 July 2024 | 38.26 MB

BRING THE MARKBASS TONE INTO YOUR COMPUTER

Mark Studio 2 is an emulation of the best Markbass amplifiers and cabinets, which includes: • 6 Markbass heads • 9 Markbass cabinets • and a rich pedalboard to complete your rig and unleash your creativity.

Mark Studio 2 v2.0.17 macOS

TRAZOR | 29 June 2022 | 29.6 MB

BRING THE MARKBASS TONE INTO YOUR COMPUTER

Mark Studio 2 is an emulation of the best Markbass amplifiers and cabinets, which includes: • 6 Markbass heads • 9 Markbass cabinets • and a rich pedalboard to complete your rig and unleash your creativity.

MARK I v1.4.0 KONTAKT

FANTASTiC | 20 December 2019 | 1.32 GB

THE STAGE IS SET

At last, the legendary electric piano of the 1970s has been sampled to perfection in all of its analog brilliance. The classic sound provided by the MARK I ranges from warm and mellow to bright and ‘barking’ and can also produce chiming bell-like tones. While it is of course the perfect choice for jazz, funk, fusion and R&B, this KONTAKT instrument is also versatile enough for any production where authentic electric piano sound is essential.

Mark 73 Electric Piano v2.5 WiN MAC

Team DECiBEL/P2P | 2 October 2020 | 3.80 GB Each

KONTAKT | WiN: AAX VSTi | MAC: AAX AU VSTi

Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp. Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.

Leave Our Mark WAV FLP

P2P | 19.03.2020 | 600.65 MB

Official Project File for 9Lives & Arsen – Leave Our Mark [Revealed Recordings]

Mark I (1975) For KONTAKT

DiSCOVER | November/24Th/2018 | 792 MB

An authentic recreation of this most sought-after classic electro-mechanical piano. The electro-mechanical piano, upon which this sample-set is based, was manufactured in 1975, a year considered by many to be the golden era for this instrument. It featured the coveted Torrington tines. Sampled at 19 velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 69MB of RAM and requires 930MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.

Mark II (1980) For KONTAKT

DiSCOVER | November/23Th/2018 | 645 MB

An authentic recreation of probably the most popular version of this classic piano. The Mark II (1980) was sampled at 16 velocity levels for full duration. The Mark II piano was noted for its modular action and Schaller tines, which give it a different sound than the earlier models.  Mark II (1980) beautifully captures the tone of the original. The instrument was sampled at 16 velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 46MB of RAM and requires 760MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.