AmpliTube v3.11.2 AU VST RTAS AAX MAC OSX

Team DYNAMiCS | 02-11-2014 | 332.56 MB

VST/AU/RTAS/AAX

AmpliTube 3. The New King of Tone. More Gear. More Feel. More Power. More Tone. There’s a new king in tone, and its name is AmpliTube 3. A massive upgrade of the leading guitar and bass tone gear modeling software, AmpliTube 3 raises the industry standard of sound variety, realism and creative power. If your recording or playing “rig” is lacking in that rich, lush expressive analog warmth, then you need to check it out. With over 160 precisely modeled pieces of vintage and modern gear available in one package, AmpliTube 3 is the ultimate tone gear collection for the player/producer/engineer suffering from tone angst.More Gear Infinite Combinations.

Steinberg VST Connect SE v2.0.1 WIN OSX

FREE | WIN/OSX | WIN: 11.5 MB | OSX: 25.6 MB

Steinberg VST Connect SE (included in Cubase 7.5) allow musicians to connect directly to each other, giving you the freedom to collaborate and produce together, even when you’re not in the same studio, town or country. Talkback and chat functions as well as video and audio stream in real time give you limitless possibilities. Collaborate with other musicians even if they don’t own Cubase, thanks to the VST Connect Performer, which is available as a free download.

preQursor v2.0.0 MAC OSX

TEAM R2R | 18.1.2014 | 12.24 MB

preQursor offers  own uniquely designed filters with low resonance peaks for reduced ringing artifacts, great band separation, and narrow notching on negative gains. All four filters are bell-type filters with progressive Q factors. These characteristics mean that this processor sounds excellent on acoustic tracks, overall mixes, or any application in which maintaining the natural feel of the material is paramount.

Wave Arts TrackPlug v5.75 MAC OSX

Cook | AU VST MAS RTAS | 8.8 MB

TrackPlug is our most popular plug-in, an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter. It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency. TrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine tune adjustment, double-click a knob to revert to default value. And so on.

MAX For LiVE 6.16 MAC OSX

Max For Live 6.16 Mac OSX | 165.15 MB

If you are a musician who uses computers as part of your process, likely you’ve thought to yourself that you wish a music application did something that it didn’t do. With Max for Live it’s now very possible with some effort you could actually create that feature, instrument, or effect yourself. In this sense, Max for Live represents the ability for Ableton Live users to extend Live in any number of customizable ways. On the flip side, many artists who work in graphical audio/visual programing environments like Cycling74’s Max/MSP have likely thought to themselves that they wish they could leverage sequencing, preset management, and time sync of more standard music applications such as Ableton Live. Max for Live represents the ability for these Max users to integrate their patches directly inside of Ableton Live to do just that.

Softube Effect Bundle VST RTAS AU TDM v1.0.2 OSX INTEL

Team: XVX | Date: 04/2010 | Size: 66,76 MB

The Effect Bundle consists of our three state-of-the-art Effect plug-ins….

U-he Satin v1.0.2 AU VST VST3 Ked MAC

iND | 28 September 2013 | 27.14 MB

Tape Construction Kit

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible.