Compressor integrates tightly with Final Cut Pro to add power and flexibility to your video conversions. A simple interface lets you quickly customize output settings, enhance images, and package your film for sale on the iTunes Store. For even faster conversions, easily set up distributed encoding using other Mac computers.
Today, 12 November Apple has updated all the pro video and audio apps. Final Cut Pro updates 10.5, Motion to 5.5 and Compressor to 4.5. A few new features for FCP, but all will now run on Apple silicon! We list ALL the new features. With Big Sur out, it wasn’t going to be long before the pro apps got their huge dual binary update so they could run on the new Apple silicon. Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications. A new single-window layout puts all the tools you need at your fingertips, and redesigned icons make it easy to identify options at glance. The darker look of the new interface is designed to enhance color perception as you work with any combination of video, stills, and motion graphic elements. Many filters now include onscreen controls for direct, intuitive manipulation of effects. And keyframe editing is much more accessible thanks to a new view that displays the Keyframe editor below the timeline.
KOMPLETE KONTROL is a easy-to-use tool that cleans up your workflow. It organizes all your instruments, effects, presets, loops, and samples, smartly mapping everything to your hardware so you can find, play, and tweak all your sounds in one place. This free plug-in runs in any DAW and works seamlessly with any MIDI controller – or your trusty mouse and keyboard.
Audio Hijack Pro drastically changes the way you use audio on your computer, giving you the freedom to listen to audio when you want and how you want. Record and enhance any audio with Audio Hijack Pro – it’s the cornerstone of your digital audio experience.Audio Hijack Pro will allow you to record any application’s audio, from internet streams to DVD audio and everywhere in between. If your machine can play it, Audio Hijack Pro can record it. And that’s not all – Audio Hijack Pro will also enhance any audio, unsing industry-standard VST and AudioUnit audio effects to make your music sound incredible. Record. Enhance. Enjoy!
Piezo makes it a snap to record audio on your Mac. In seconds, you’ll be recording audio from any application or from audio inputs like microphones. Piezo requires almost no configuration, and it’s a blast to use. Simple and inexpensive – that’s a winning combination.
djay Pro AI allows users to separate vocals and instrumentals in real-time, as well as crossfade between individual components of two songs independently. This allows for impressive remixing capabilities as DJs can easily swap bass lines or melodies of two songs while their keys and beats are automatically matched. The “Neural Mix” feature can isolate beats, instruments, and vocals of any track. Using the M1, djay Pro AI offers Mac users 15 times faster machine learning performance, resulting in ultra-low latency and enhanced precision for live DJ mixes. djay Pro AI contains an extensive library of samples, loops, and audio effects, Neural Mix channel configurations and looping, music production tools, video mixing, integration with streaming services and hardware controllers, and more. It also replaces Neural Mix Pro for Mac with a single app to unify djay across macOS and iOS devices.
With Fission’s streamlined audio editing, you can quickly copy, paste and trim audio, as well as split files. Fission also works with compressed MP3 and AAC formats to edit without the quality loss caused by other editors. Get perfect quality audio when editing natively in the MP3, AAC, Apple Lossless, AIFF and WAV formats.
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