• APU Dynamics Optimizer-MaGeSY

    APU Dynamics Optimizer WiN MAC

    Team BTCR | 03 February 2025 | 18.1 MB

    ….: STANDALONE: x86, x64 :….

    The APU Dynamics Optimizer is a dynamics optimization tool designed to support modern loudness types (LUFS, True Peak). Underneath the hood, the optimizer uses the same compression engine as the APU Loudness Compressor, but benefits from the full audio waveform instead of real-time measurements. This allows the gain envelope to be meticulously optimized across the entire waveform. The design of this tool allows you to very precisely target a specific average LUFS and dynamic range. Once the gain envelope has been optimized, you can playback the result in real-time while adjusting the character of the sound with the same collection of parameters from the compressor plug-in.


    Viewed 109783 By Music Producers & DJ´s.


  • APU Loudness Limiter v3.3.0 WiN MAC-BTCR
    February 3rd, 2025 ⚡
    Categories:

    Loudness Limiter v3.3.0 WiN MAC-BTCR-MaGeSY

    Loudness Limiter v3.3.0 WiN MAC

    Team BTCR | 03 February 2025 | 57.74MB

    PLATFORM: AU/VST2/VST3/AAX

    The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.


    Viewed 35149 By Music Producers & DJ´s.


  • Loudness Limiter v3.0.0 WiN-BUBBiX
    January 11th, 2025 ⚡
    Categories:

    Loudness Limiter v3.0.0 WiN-BUBBiX-MaGeSY

    Loudness Limiter v3.0.0 WiN

    BUBBiX | 04 October 2024 | 32 MB

    x64:(STANDALONE, VST3, AAX) | x86:(STANDALONE, VST3)

    The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.


    Viewed 22922 By Music Producers & DJ´s.


  • bx_XL V3 v3.0.1 WiN-R2R
    October 28th, 2024 ⚡
    Categories:

    bx_XL V3 v3.0.1 WiN-R2R-MaGeSY

    bx_XL V3 v3.0.1 WiN

    Team R2R | 23 August 2024 | 19.7 MB

    x64: AAX, VST3, VST2

    The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.


    Viewed 37075 By Music Producers & DJ´s.


  • bx_XL V3 v3.0.1 macOS-HCiSO
    August 9th, 2024 ⚡
    Categories:

    bx_XL V3 v3.0.1 macOS-HCiSO-MaGeSY

    bx_XL V3 v3.0.1 MAC

    HCiSO | 09 August 2024 | 40.92 MB

    64Bit: AAX, VST3, AU, VST2

    The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.


    Viewed 51219 By Music Producers & DJ´s.


  • bx_XL V3 v3.0.1 WiN-TCD
    August 8th, 2024 ⚡
    Categories:

    bx_XL V3 v3.0.0 WiN-TCD-MaGeSY

    bx_XL V3 v3.0.1 WiN

    TCD | 08 August 2024 | 7.2 MB

    x64: AAX, VST3, VST2 | x86: JBridge

    The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.


    Viewed 63401 By Music Producers & DJ´s.


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