RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

EQ4000 v1.0.0 WiN MAC LiNUX

Team R2R | Happy New Year | WiN: 3.2 MB | OSX: 8.3 MB | LiNUX: 6.1 MB

AU/VST/VST3/AAX*

OverTone DSP has released their new EQ4000 E-Series Console EQ plug-in for Windows, Mac and Linux, based on the E-Series channel EQ processing from one of the best-known British recording consoles. EQ4000 comprises high frequency, high-mid, low-mid and low frequency sections The low and high frequency sections are independently configurable for ‘bell’ or ‘shelf’ modes while the mid sections provide fully parametric equalization with variable gain, frequency and Q. The plug-in emulates both the earlier ‘Brown’ (02) and later ‘Black’ (242) versions of the original 4000 E-Series hardware, as indicated by the low frequency control knob colour, while cross-linking between each mid section and its corresponding low or high frequency shelf / bell filter emulates the characteristic control interaction of the original design. DSP technology accurately models the analogue filter response without requiring CPU intensive oversampling, thereby avoiding additional latency, or other undesirable side-effects while being economical with system resources.

NViDiA GeForce Release 388.71 WHQL

WiN 10 / WiN 8 / WiN 7 / WiN XP | WiN Vista | Linux

NViDiA | 20.12.2017 | 440.49 MB

Game Ready Drivers provide the best possible gaming experience for all major new releases, including Virtual Reality games. Prior to a new title launching, our driver team is working up until the last minute to ensure every performance tweak and bug fix is included for the best gameplay on day-1.

Bitwig Studio 2 v2.2.2 WiN MAC LiNUX

iND | Dec 17 2017 | FiXED PTCH: 57 MB | CONTENT: 5.86 GB

WIN: 227.7MB | LiNUX: 240.5MB | OSX: 252.5MB

Released back in 2014, Bitwig Studio 1 was the first music production software to combine linear and non-linear sequencing on Windows, macOS and Linux. With cutting edge technologies like plug-in crash protection and a highly flexible user interface, alongside a lightning fast workflow experience for keyboard, mouse and touch screens, Bitwig Studio has attracted a large and steadily growing user base all over the world.

Spiral Generator 2 v2.1.1 WiN MAC LiNUX

TEAM R2R | 2017.11.23 | 13 MB

WiN: 2.73 MB | MAC: 4.81 MB | LiNUX: 4.91 MB

PLATFORM : WiN32/64 – VST | MacOSX – AU/VST | Linux – VST

A perfect compliment to PrettyScope. Generates fractal spirals that makes all kinds of bassy, throaty, vocal sound as well as insane bubbly, grinding, and alien sfx.

Bliss v1.0.1 AU VST VSTi MAC LiNUX

TEAM DVT | Jan 02 2016 | MAC: 14.59 MB | LiNUX: 10.48 MB

Performance Sampler Scalable & themeable GUI VSTi sampling 8 macro assignments. Dual Zero Delay Feedback Filters Sample editor 7 built-in effects.

AF2-10 Bundle v2.4.9 WiN MAC LiNUX

Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.