• bx_XL V2 v2.16.1 R2 WiN-R2R
    January 10th, 2025 ⚡
    Categories:

    bx_XL V2 v2.16.1 R2 WiN-R2R-MaGeSY

    bx_XL V2 v2.16.1 R2 WiN

    Team R2R | 07 June 2024 | 13.6 MB

    PLATFORM: VST2/VST3/AAX(MOD)

    Industry-Standard Loudness Using M/S Technology

    The bx_XL V2 provides mastering engineers the ability to deliver loud mixes, without squashing the life out of them. Using the M/S technology from BWX’s revolutionary bx_digital EQ, you can split the Mid channel into two bands (high and low), allowing you to control the level of three individual channels—side, mid-high, and mid-low—to increase loudness while drastically improving the clarity of your mixes, with far fewer artifacts and much more punch.


    Viewed 84251 By Music Producers & DJ´s.


  • Protector v2.3.2 WiN MAC-R2R
    November 13th, 2024 ⚡
    Categories:

    Protector v2.3.2 WiN MAC-R2R-MaGeSY

    Protector v2.3.2 WiN MAC

    Team R2R | 30 September 2024 | WiN:14.3MB | OSX:49.8MB

    PLATFORM: WiN32/64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

    Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter.


    Viewed 50738 By Music Producers & DJ´s.


  • U73b Compressor v3.1.3 WiN-R2R
    October 29th, 2024 ⚡
    Categories:

    U73b Compressor v3.1.3 WiN-R2R

    U73b Compressor v3.1.3 WiN

    MOCHA | 15 September 2024 | 27.3 MB

    WiN64 – VST3/AAX

    Faithful and unique emulation of an old German broadcast compressor/limiter unit U73b. Second generation of the famous plug-in…


    Viewed 26610 By Music Producers & DJ´s.


  • bx_XL V3 v3.0.1 WiN-R2R
    October 28th, 2024 ⚡
    Categories:

    bx_XL V3 v3.0.1 WiN-R2R-MaGeSY

    bx_XL V3 v3.0.1 WiN

    Team R2R | 23 August 2024 | 19.7 MB

    x64: AAX, VST3, VST2

    The bx_XL V3 empowers mastering engineers to achieve loud mixes without sacrificing clarity. Utilizing the mid/side technology groundbreaking bx_digital EQ, you can split the mid channel into two bands (low and high). This allows for control over three individual channels – mid-low, mid-high, and side – resulting in increased loudness and significantly enhanced clarity with fewer artifacts and greater punch.


    Viewed 38282 By Music Producers & DJ´s.


  • Micro Limiter v1.0.2.1 AAX VST3 x64 WiN MAC-BUBBiX
    September 29th, 2024 ⚡
    Categories:

    Micro Limiter v1.0.2.1 AAX VST3 x64 WiN MAC-BUBBiX

    Micro Limiter v1.0.2.1 WiN MAC

    BUBBiX | 29 September 2024 | WiN:45.96MB | MAC:80.20MB

    The Biggest Little Compressor

    Despite being able to fit three of them in 1U of rack space, producer Sam Pura is running out of places to put these deceptively cruel soft-knee compressors. To remedy this, and as part of our personal mission to prove that size doesn’t matter, we’ve modeled it in all its characterful intricacy so that no stereo channel can avoid its death grip. This is your sonic jackhammer for concrete wall mixes. Try it on anything you want to add pumpy, aggressive life to and find yourself addicted.


    Viewed 18019 By Music Producers & DJ´s.


  • S-609A mk2 Bus Compressor Limiter NEBULA-ARCADiA-MaGeSY

    S-609A mk2 NEBULA

    Team ARCADiA | 16 September 2024 | 40.09 MB

    ‘Based on’ a compressor (sought after original release version ‘A’ with the metal knobs!) that has famously found a lot of use as a bus comp, since its introduction in the early 80s. It’s known for its characteristic smooth sound and ability to ‘glue’ the elements of a mix or bus together. It has gained many die-hard fans who use it every time they mix, and it has been used on many classic recordings. It can also be used in many situations besides bus compression alone. Some like to use it to beef up electric/acoustic guitars, pianos, vocals and other sources, and it even gets used while tracking by some. It has been called a desert island piece. You don’t need many dBs of compression to get a benefit out of it, with common use involving just a bit of gain reduction for enhancement. Some even use it without compression just for its (subtle) tone. On the other hand, it still sounds great when you push it for lots of gain reduction.


    Viewed 14392 By Music Producers & DJ´s.


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