Prophecy v1.6.0 WiN

Team TCD | 26 August 2024 | 27.2MB

In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s. It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today’s music production.

Korg Trinity KONTAKT

P2P | 08 December 2016 | 198 MB

BEST SOUNDS! OVER 33 Amazing Sounds Off of KORG TRINITY Keyboard

Korg OASYS KONTAKT

P2P | 08 December 2016 | 312 MB

BEST SOUNDS! OVER 9 Amazing Sounds Off of KORG OASYS Keyboard

KORG ARP 2600 U2B macOS

MORiA | 05 December 2024 | 406.3MB

…: STANDALONE | AUi | VST3i :…

The one and only ARP 2600. The iconic ARP 2600. It’s the one synth you can expect to see in every major studio. They demand astronomical prices on the second hand market. When KORG released the limited- edition ARP 2600 FS in 2020, they sold out immediately world-wide. Now, KORG is pleased to present the first truly accurate software re-creation of this essential synthesizer: the KORG Collection ARP 2600. KORG’s proprietary CMT technology faithfully reproduces the distinctive waveforms and filters, the custom LFO and envelope shapes, the many subtle nonlinearities, even the behavior of the patch panel – unlike any other 2600 software instrument. Thanks to this obsessive attention to detail, you can open the original ARP 2600 Patch Book (available as a free PDF on KORG’s website), hook up each of the 100 patches on screen, and they will sound just like an authentic ARP 2600 – something that no other 2600 plug-in can do.

MS-20 V v1.3.2 macOS

MORiA | 05 December 2024 | 602 MB

..: AU, VSTi, VST3, AAX, STANDALONE :..

KORG MS-20 V Primal black monolith.. KORG MS-20 V is a virtual instrument for sound explorers in search of the meaner side of analog. From punchy analog textures to abrasive screaming sounds, explore a flawless emulation of a primal instrument overflowing with attitude and streamlined for modern production. KORG MS-20 V unites screaming oscillators and filters with a semi-modular architecture and cutting-edge upgrades for a monstrous virtual instrument that transcends subtractive synthesis.

KORG EP-1 v1.0.8 U2B macOS

MORiA | 20 October 2024 | 189.53 MB

…: STANDALONE | AUi | VST3i :…

EP-1 Electric piano sound engine from the KORG KRONOS/NAUTILUS. The finest vintage EP sounds now available in the KORG Collection The electric piano sound engine EP-1 first appeared in 2011 in KORG’s flagship workstation synthesizer, KRONOS. It adopted the newly developed MDS (Multi-Dimensional Synthesis) technology which expresses smooth and dynamic tonal changes finely corresponding to key touch, something previous sample playback methods could not achieve. In 2017, it was featured in the top-tier Korg stage piano Grandstage, and in 2021, a new electric piano model was added to the NAUTILUS workstation. This plugin version now features the latest EP-1 sound engine and has received new voicing, making it the definitive Electric Piano sound engine. The overwhelmingly realistic sound and dynamic expression of EP-1 will stir the player’s soul and unleash deep emotional responses. Experience the latest EP-1 sound engine and expand your creative horizons.

Korg M3 MULTiFORMAT

Intrinsic | 14 March 2015 | 18 GB

…: Korg M3 Synth/Sampler :..

(.NKI, .EXS, .FXP, .WAV, .SXT)

Keyboard workstations have always been something of a Korg speciality, ever since they created the concept almost 20 years ago with the M1. Does their latest offering, the M3, live up to its pedigree? About once a decade, Korg rewrite the rules for making music on affordable keyboards. In 1988, the M1 defined what we call a workstation. Nothing that it embodied was new: PCM samples, sequencing and effects had all been used in keyboards from other manufacturers, but the ‘AI’ architecture of the M1 did it more elegantly and more affordably than it had ever been done before. Then, in 1995, the Trinity introduced the combination of touchscreens, genuinely multitimbral effects, hard disk recording and digital I/O to the mainstream keyboard world. Not only was the Trinity radical in the way that it combined these technologies, but the price — as it had been for the M1 — was remarkable for such a groundbreaking product.