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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Kong Master Hip Hop WAV KONG REFiLL

    Kong Master Hip-Hop

    P2P | 30.04.2020 | 174 MB

    ..:: WAV, KONG REFiLL ::..

    ‘Kong Master Hip Hop’ is a blistering old school Hip Hop drum sample collection and Kong patches professionally crafted for Hip Hop & Urban music producers who want authentic and classical Hip Hop drum samples. This product features 96 one-shot samples ranging from ground-shaking kicks, hi-hats & percs, head-rattling basses, raw snares, vox, and more. All drum samples are rendered at a pristine 24-Bit Quality to give you warm sounds and the best possible dynamics. All one-shot samples are provided in WAV format for easy drag and drop in any DAW. If you are looking for high quality Hip Hop & Urban music drum samples to make your musical creations unique, powerful, modern and punchy but still with the old school influences, then ‘Kong Master Hip Hop’ is what you are looking for. Start making your own fiery beats now.


    Viewed 3465 By Music Producers & DJ´s.


  • Magesy

    Future Beats & Soul

    FANTASTiC | 01 November 2019 | 1.24 GB

    Future Beats & Soul. This one is raw, emotive and expressive, with a focus on cutting edge production techniques being married with a timeless and soulful sound palette. Rolling through 100% royalty free, this is one you can’t afford to miss. With loops rolling out between 72-160bpm, El. Train has got you covered. The named genres are effortlessly complemented with this collection, but you’ll also be covered for hip-hop, R&B, West Coast beats, and any other styles with an attention to groove and musicianship. In detail, 1.71 GB of content is included, with all audio recorded at 24Bit & 44.1 kHz. 201 loops are broken down as 42 synth bass loops, 40 drum loops, 32 perc loops, 24 synth loops, 11 pad loops, 11 arp loops, 10 electric piano loops, 8 electric bass loops, 7 guitar loops, 6 drum part loops, 5 hat loops and 3 vocal loops. 343 one-shots are broken down as 94 drum hits, 51 bass hits, 47 synth hits, 21 FX, 5 bass multis and 5 synth multis. Also included are 224 Rex2 files, 118 soft sampler patches (for NNXT, Halion, EXS24, Kontakt and Sfz) and 5 Kong.


    Viewed 2697 By Music Producers & DJ´s.


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    Revenge of The Kong Drums WAV

    DRUMKiDS | April 16 2017 | 24.4 MB

    It’s pure heat, raw and uncut tight super huge drums with crispy bacon snares and hi hats. The samples included are insane, you can produce instant classics right of the bat and cook serious meal for the whole click. Don’t mess with this one sunn. It shakes the streets up! It’s a big must!


    Viewed 2008 By Music Producers & DJ´s.


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    House & Tech Drum Grooves

    FANTASTiC | July 21 2016 | 335 MB

    WAV REX KONG

    House & Tech Drum Grooves – Our most flexible pack to date containing over 430 mb of rough and ready, tight and swinging drum grooves. Broken down into every component for complete flexibility and offered in high quality 24 bit wav. Inspired by artists such as, Denney, Sante and Audiojack to Jay Lumen and Mark Knight; House & Tech Drum Grooves delivers a wealth of current sounds designed to give your music the edge. All Full loops are broken down into their key fundamentals making it easy to custom build your own grooves but we haven’t stopped there! . . . All full loops have also been broken down into drum kits so you can reconstruct your own killer loops guaranteed to smash the dance floor.


    Viewed 2254 By Music Producers & DJ´s.


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    Hong Kong Glitch MULTiFORMAT

    TEAM MAGNETRiXX | 06 January 2015 | 281 MB

    KONTAKT , EXS and Live Drum and Instrument Racks.

    Hong Kong Glitch is an electrically charged funky new set of glitch drops, inspired by the glitch sound from on the ground in Hong Kong. Every once in a while you run across a musical style that you were never aware of. It happened to me in Hong Kong at a video installation where 2 locals were laying down some serious funky glitch grooves.  The beats sounded like pure static buzzy electricity stuck to a James Brown style groove.  A simple MS-10 triangle wave through a fuzz pedal was used for simple “stick to the kick” basslines. On top of all this they were dropping skipping glitch ambiences and low thin drones to space things out.  As my friend described it “where Western glitch sounds like 2 machines fumbling to get their clothes off, Hong Kong glitch sounds like 2 machines gettin’ it on in a 1970’s pimp pad”. All drops are set at 110 BPM, but the beats work well all the way up to 160 BPM.


    Viewed 1768 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐