Machines 5.1 Surround

JKST | 09.08.2020 | 2.09 GB

A pack of high-quality 5.1 surround machine sounds, covering everything from mechanical devices to large-scale machines. PLEASE NOTE: This pack does not contain stereo wav files. Please refer to the documentation for your DAW to confirm it supports multichannel WAV files before downloading any of the sounds in this pack.

Beautiful World WAV

JKST | 8 September 2020 | 1.23 GB

The beautiful world of melodies and swing rhythms that can easily be applied to many genres including Hip-hop, future bass, house, let your creativity choose. This sound is filled with peace, happiness, and joy. Use the loops to create scores for a love story video, add it to your lo-fi hip-hop beats. Change the pitch or add filters, and you will receive a completely different sound with the perfect harmony. Play with the tempos, chop the loops, reverse them, they are flexible and easy to work with. Here is what you will find in the pack – 423 musical elements including 102 Chord Loops, 100 Drum Loops, 32 Lead Loops, 40 Organic Percussion Loops, 17 Atmosphere Loops, and 132 Drum, Bass and Melodic one-shots.

Zebra Arkhangel PATCHES

JKST | 14 Dec 2020 | 4.5MB

..:: DARK EDiTiON ::..

360 patches for Zebra2 and ZebraHZ. Enter an off-kilter world dedicated to sounds that are unexpected and unpredictable. An enigmatic playground full of analogue abstraction, digital delight and organic oddness. Arkhangel is inspired by the soundtracks of Cristobal Tapia de Veer, such as Humans, Utopia and National Treasure, Trent Reznor & Atticus Ross‘ work on The Girl With the Dragon Tattoo and The Social Network; the Breaking Bad soundtrack by Dave Porter; as well other avant garde artists like Alex Somers, Scntfc and Boards of Canada. Bleeps and bloops, glitchy pitch, perplexing instruments, analogue drift, crusty loops, sequences devoid of sense and textures born from unease; Zebra Arkhangel moves from unfathomable darkness to playful idiocy in the blink of an eye. All done with a glimmer of inscrutable strangeness. This Dark Edition takes the original 180 patches and gives them a darker, more analogue, more weird spin – the Dark Edition download also includes the original 180 Zebra2 patches.

DiVA Phenom Vol.4 PATCHES

JKST | 14 Dec 2020 | 1MB

Diva Phenom Vol 4 is a collection of 150 patches for u-he’s Diva. Continuing on from the original two Phenom soundsets, volumes three and four are fundamentally about pure analogue sound. Warm, lush, and lo-fi, Phenom breathes delicacy and punch, bringing a collection of intimate and emotional retro vibes. Smooth pads, gutsy basses, drifting textures, mellow leads and quirky sequences provide classic, old skool analogue sensibilities, with a contemporary definition. Diva Phenom is inspired by the joy and wistfulness of Kyle Dixon & Michael Stein’s Stranger Things, Le Matos’s Summer of ’84 and Paul Haslinger’s Halt & Catch Fire, as well as the ambience and dynamism of Cliff Martinez’s The Knick, Mac Quayle’s Mr Robot and Geoff Barrow & Ben Salisbury’s work on Ex Machina and Drokk, as well as artists such as Boards of Canada, Electric Youth and Unit Black Flight. If you’re looking to add some sweet, gentle, characterful retro charm to your music, or simply want to plunge headfirst into electro nostalgia, Phenom brings all the glowing charisma of tubes and transistors you’ll need.

DiVA Phenom Vol.3 PATCHES

JKST | 14 Dec 2020 | 1MB

Diva Phenom Vol 3 is a collection of 150 patches for u-he’s Diva. Continuing on from the original two Phenom soundsets, volumes three and four are fundamentally about pure analogue sound. Warm, lush, and lo-fi, Phenom breathes delicacy and punch, bringing a collection of intimate and emotional retro vibes. Smooth pads, gutsy basses, drifting textures, mellow leads and quirky sequences provide classic, old skool analogue sensibilities, with a contemporary definition. Diva Phenom is inspired by the joy and wistfulness of Kyle Dixon & Michael Stein’s Stranger Things, Le Matos’s Summer of ’84 and Paul Haslinger’s Halt & Catch Fire, as well as the ambience and dynamism of Cliff Martinez’s The Knick, Mac Quayle’s Mr Robot and Geoff Barrow & Ben Salisbury’s work on Ex Machina and Drokk, as well as artists such as Boards of Canada, Electric Youth and Unit Black Flight. If you’re looking to add some sweet, gentle, characterful retro charm to your music, or simply want to plunge headfirst into electro nostalgia, Phenom brings all the glowing charisma of tubes and transistors you’ll need.

In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.