iZ Denoiser v4.1.0 AU MAC OSX

Kleen | August 21 2016 | 5.95 MB

Easily perform noiseprint-based noise reduction with the Denoiser plug-in. Simply click the Learn button while playing a random sample of unwanted noise contained in your target file and Denoiser does the rest, by applying a customized noise-reduction process across your entire selection. The Denoiser removes unwanted broadband noise from an audio file, and is great for removing tape hiss, microphone hum, power buzz, camera noise, or other consistent broadband noise sources.

RX Final Mix v1.03 MAC

PlatenseSoul | 18.08.2016 | 46.64 MB

AU VST VST3 RTAS 32Bit 64Bit

Every Sound in Its Place: RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors. The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels. Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!

iZ DDLY in Action TUTORiAL

SYNTHiC4TE | May 27 2016 | 240 MB

In this “In Action” tutorial series, Bill Edstrom shows you around this unique dual-engine plug-in from iZotope and demonstrates how to use it creatively in your mixes! iZotope has just changed the delay processing game with the new DDLY, which features two linked but separate delay processors, each of which can switch between an analog-style tape delay mode or a granular delay mode. Bill’s first video introduces you to DDLY and covers all of the controls for both delays, and the unique way it uses a threshold slider to dynamically route your signal between them. Then Bill shows you three exciting tricks for how to use DDLY as a dynamic delay processor on Vocals, including using it as a pre-delay before a reverb. Finally, Bill shows you three creative ways to use the granular delay mode in DDLY.

SWA Complete iZ RX 5 TUTORiAL

FANTASTiC | 08 April 2016 | 417 MB

8 VIDEOS | 66 MINUTES | Format: HD 1080p

iZ’s RX 5 is a specialized audio editor and restoration application aimed primarily at those working on dialogue and music in post production and broadcast. In this iZ RX 5 video tutorial, we employ many of its available modules are to repair and optimise some poorly recorded audio files. After a general introduction to RX 5, its interface, preferences and settings, we show you how to use the various selection tools to focus on specific parts of an audio file. Then we explore the Spectral Repair module and Gain function and look at the removal of mains hum and its harmonics with the Dehum module.

iZ RX Post Production Suite Explored TUTORiAL

SYNTHiC4TE | Oct 12 2015 | 236 MB

The iZ RX Post Production Suite is a set of advanced repair and restoration tools for audio post work. This “in-action”, broadcast focussed course explains how RX 5 and the other tools work together to solve everyday audio situations.

iZ RX 4: Audio Repair Toolbox 2 TUTORiAL-SYNTHiC4TE

SYNTHiC4TE | Sept 20 2014 | 1.78 GB

iZ’s RX 4 is here and so is audio expert Matt Hepworth to show you how this re-imagined RX works! Learn all about RX 4’s new audio restoration, forensic and enhancement technologies in this comprehensive 4+ hour course! iZ is the world’s leader in audio processing technology. Their Nectar, Alloy and Ozone plugins are mainstay tools of recording, mixing and mastering engineers the world over. Now with their new, supercharged RX 4, they’ve again upped the ante in the realm of audio repair and forensics… and this collection of tutorials, with their awesome audio examples, explains it all!

iZ Vinyl v1.7.3b x86 WiN MAC

FREE | AU RTAS AS HTDM VST MAS DXi | 8.57 MB

The ultimate lo-fi weapon, iZ Vinyl uses advanced filtering, modeling and resampling to create authentic “vinyl” simulation, as if the audio was a record being played on a record player.