H2O Past & Future v1.0 Internal

TEAM AiR | WiNDOWS | exe | 12/2007 | 32 MB

A bit of modern interactive history.

H2O – Past and Future is an internal production just for the fun of it. Lean back and enjoy !!!

E-MU Proteus 1 XR AKAi

PHOTONE | 19th July 2016 | 572.25 MB

When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.

Yamaha EX7 AKAi

PHOTONE | 26th July 2016 | 600.95 MB

The EX7 features a unique Extended Synthesis system which incorporates a number of the most advanced tone generator technologies currently available…plus a full-featured sampling system. It offers a Four-Element Voice structure which allows for up to four independent waves from any of the tone generators. The tone generators implemented here include AWM (Advanced Wave Memory) Synthesis, AN (Analog Physical Modeling) Synthesis and FDSP (Formulated Digital Sound Processing) Synthesis. According to Yamaha: “AWM is Yamaha’s original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to “shape” and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument’s sound, with independent control over each.

E-MU Audity 2000 AKAi

PHOTONE | 16th September 2016 | 497.65 MB

The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.

Font v1.2 VSTi x86 WiN

MaGeSY INTERNAL | xx.xx.2005 | 1.06 MB

Stereo Soundfont Synth SF2 Loader.

Wave v1.3 VSTi x86 WiN

MaGeSY INTERNAL | xx.xx.2005 | 1.04 MB

16/24-bit Stereo Wave Synth. Wav Loader.

LinPlug SPECTRAL v1.3.x WiN MAC

Team R2R | 01 October 2015 | WiN+MAC: 56.7MB

Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. Estimated release is Autumn 2013. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose a waveform, choose a filter and go on. But Spectral delivers far more options than you would expect from the well sorted user interface. The unique audio engine under the hood is capable of delivering many sounds never heard before. Right now we work with our sound designers on the factory library and finalize.