Mixed Reaction v1.0 VSTi x86 WiN
MaGeSY INTERNAL | xx.xx.2005 | 2.80 MB
DJ Style 16/24-bit Wav File Player/Recorder
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DJ Style 16/24-bit Wav File Player/Recorder
One thing to notice is that Wusik Station V8 is actually a NEW product. I didn’t just took V7 code and made it cross-platform. No, I started from zero, reusing Wusik 8000 code which is cross-platform and uses modern coding. This presented some problems, but also introduced a lot of new great features that V7 did not have, but also removed some features that V7 had and now I need to work on.
Virtual synthesizer is used by thousands of professional musicians all over the world.
The Microwave XT is a great big orange polyphonic rackmount synthesizer. While combining the power of the Wave and the compact design of Waldorf’s Microwave II, the XT adds a bit of knob-laden heaven. At first glance the top section completely resembles the 2-space rackmount version of the Microwave II. And then there are three more rack-spaces full of knobs and lots of knobs means lots of control. As far as enhancements, the XT model has 20-bit DSP functions but that’s about it. Its true power and features lie in the 44 hands-on knobs which make editing in real-time quick, easy and perfect for performance and studio work. All of the knobs transmit MIDI information as well!
crispytuner is probably the easiest-to-use vocal tuner available. But underneath its simple exterior are a whole range of capabilities for additional fine tuning. From subtle pitch correction to flamboyant tuning effects, crispytuner does everything you need it to with minimal effort.
H2O – Past and Future is an internal production just for the fun of it. Lean back and enjoy !!!
When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.