Infinite Reflection MULTiFORMAT

FANTASTiC | 09 June 2016 | 720 MB

Infinite Reflection’ is a captivating and outrageously inspiring collection of Electronica and Synthpop loops and samples. With a certain nod to the life changing synth aficionados that is the super group M83, but taken in a huge array of different sonic directions. This divine sample library guarantees to soar above the competition and provide you with the most epic of sound palates available today. Imagine a landscape of delicious synths, evolving soundscapes and hands in the air ready lead lines. Harnessing the power of numerous analogue beasts, live drum kits, cinema shaking drum machines, crunchy electric guitars and more arps than you could shake a stick at, this library really is packed to brim with stunning material.

Infinite Spaces KONTAKT LOGiC LiVE 9

Team DECiBEL | 15 Feb 2016 | Live 9: 575.0 MB

Logic: 572.1 MB | KONTAKT: 571.3 MB

An odyssey in space and sound. Built with responses generated from legendary space simulation equipment. Beautiful crystal spheres, metallic resonating worlds, shimmering subterranean civilizations? Infinite Spaces is an adventure in stereo and an odyssey in sonic textures. It is a sound design toolbox for film scoring, atmosphere creation, suspense building or anything else that requires a treatment of richly detailed spaces. Sound designers triggered an Eventide H3500, Lexicon PCM 90, Lexicon PCM 80 and a Kyma Sound Design Computer with white and pink noise impulses, creating feedback loops and huge, reverberating sonic spheres. The results were recorded, phase tweaked and programmed for Ableton Live.

Infinite Sound Ambient Atmospheres AKAi

P2P | AKAi | 269.16 MB

Bring this colorful world of ambient, atmospheric sounds to your collection. Mysterious, and even explosive at times, these new and fresh sounds take you around themes and variations of illusions, landscapes, action and science. From “glassy shimmers” and “gently tapped cymbals” to “heavily processed gongs and sweeps,” these samples range anywhere from 5 seconds to over a minute long! “If you want to enhance your sound palette with a sample library that’s designed for ambient electronic music, Ambient Atmospheres would be a fine choice.” – Keyboard

Infinite Soul Vol.1 and Vol.2 WAV

P2P | 2009 | Vol.1: 262.69 MB | Vol.2: 261.20 MB

Infinite Soul Volume I Count on MAC MONEY for the best in R&B construction kits. Infinite Soul Volume I is perfect for variety, balance, and fidelity and provides an unbeatable rhythm section for holding down your lyrics, raps, and jams. Volume I also contains complementary ACID starter projects made by the MAC MONEY team.

EpiK DrumS WW SE Kit for Infinite Player KONTAKT

SYNTHiC4TE | June 29 2014 | 8.45 GB

Deluxe Collection of Drum Kits

Woody Woodmansey SE Kit for Infinite Player is part of a deluxe collection of drum kits created with legendary producer and engineer Ken Scott (The Beatles, Elton John, David Bowie, Pink Floyd, Supertramp, etc.), and five iconic drummers Bill Cobham, Terry Bozzio, Woody Woodmansey (Bowie), Bob Siebenberg (Supertramp) and Rod Morgenstein (Dixie Dregs) as well as kits in the style of The Beatles and Elton John. EpiK DrumS Stereo Kits has captured authentic vintage drum sounds from a diverse range of classic artists. Multi-velocity and round robin alternating hits provide extreme expression and convincing realism. EpiK DrumS Stereo Kits features ready-to-go finished album quality mixes from Ken Scott himself.

Vj Footages HD Loops Tunnel Infinite

P2P | .MOV | 28/06/2014 | 106.43 MB

570p / 720p / 1080p

Video LOOPS in HD footages for vj, PACK of 3 clips.

N. Peart Drums Vol.1 The Kit for Infinite Player KONTAKT

SYNTHiC4TE | June 19 2014 | 15.5 GB

N.Peart Drums Vol. 1: The Kit features samples of the authentic Drum Workshop® Signature “Snakes and Arrows” kit of drum legend Neil Peart from the band Rush. This multitrack kit offers the ultimate high fidelity rock sound with incredible realism for keyboardists and e-Drummers. One of these drums is bigger—the 23” bass drum, which is another unique innovation of John Good’s. Back in the 70’s, when Rush were opening shows, I used to be able to go out front and listen to other drummers. I noticed then that 24” bass drums had a particular “kick” (for once the word is apt), but I preferred the playability and dynamics of a 22”. John suspected that the 23” would combine the best of both, and he was right. The “VLT” approach was also applied to the snare drum’s shell, and it was another revelation—the best I have ever played, for both response and sound. The toms are 8”, 10”, 12”, 13”, two 15”, 16”, AND 18”, with DW’s Coated Clear heads. Remo supplies some of the other heads, while the drumsticks are Pro-Mark signature models.