Hauptwerk Prague Baroque Organ

P2P | Nov 23, 2012 | 5.52 GB

24Bit Version

While many virtual models of organs have one specific instrument as the template, we decided to take different approach this time. The advantage of presenting a “South German Organ Model” without a direct connection to certain specific instrument is that it is more clearly shown that all the organs of this family in the given period are quite similar to each other and have many common characteristics, in spite of their differences. These common characteristics of the south German organ building school are: an instrument with two short-octave manuals where the Rückpositiv is shaped to be the “smaller brother” of the Hauptwerk for dynamic and spatial contrast; limited pedal division of 18 tones; mild Principals with an expressive speech even on very low wind pressures; sparkling and light sound of numerous mixtures which often include a tierce rank; great variety of flute stops including the typical wooden Copulas -thinner Gedackts- with non-imitable “chiff”; predominant labial character of the instrument accentuated by total absence of reed stops (with the exception of occasional Fagot-like pedal stop with wooden resonators), early appearance of strings. Anyway, it is good to point out at least two instruments which are probably the most excellent examples of the South German organ building school, milestones marking the boundaries of the given period.

Oday Audio Releases 2 December 2015

Teams Various | 2 December 2015 | 47.83 GB

SPiRE, SYLENTH, KONTAKT, HAUPTWERK, MASSiVE, AiFF, ACiD, WAV, TUTORiALS, MiDi and More…

64 Releases from KRock, AUDiOSTRiKE, MAGNETRiXX, FANTASTiC, DiSCOVER, SYNTHiC4TE, DYNAMiCS, P2P and more…

Smecno – for Hauptwerk 3 and higher Hauptwerk

P2P | Jun 26, 2012 | 11.17 GB

The renaissance instrument of the Holy Trinity church in Smecno is the oldest preserved and playable organ in the Czech Republic.
The instrument was built around the year 1587. The date of construction may be easily recognized by the heraldry of the donors depicted on the organ chest and from extant archive materials. The organ builder is unknown. It is known that the instrument was damaged during the thirty years war in 1631 when the soldiers of the Swedish army stole the Regal – the only reed stop. There has been one major rebuild during its history: in the late Baroque era, in 1775, a small Rückpositiv was added by Jan Rusch from Litomerice and some stops were changed.

Litomysl Organ Model V.2 Hauptwerk

Litomysl Organ Model V.2 Hauptwerk | 6.84 GB

The aim of the project is to make the concert organ from Litomysl (Grygar, 2001) available for the Hauptwerk software sampler. This modern organ is large enough (4 manuals + pedal, 51 sounding stops) to fit the needs of any organ music style, early Spanish music, French or German romantic music, German baroque, XXth century music or anything else you can imagine. The organ was sampled very accurately on 1:1 basis using professional digital equipment of the 24bit/48kHz resolution. The stereo O.R.T.F. norm was used as the recording technique. Each tone of each stop has been captured several times to assure the best possible results. Long samples up to 9 seconds were taken.

Velesovo organ Wet only Hauptwerk WAV

2011 | RAR SIZE 4.79 GB

The instrument was newly built in 2007 for the church of our Lady in Adergas (Velesovo, Slovenia). The place belongs to the important pilgrim churches of the area. Former monastery was transformed into a spiritual centre, where groups or individuals may find refuge and spend days in silence and meditation, and enjoy the surrounding beauty of nature and giant mountains. The organbuilder Tomaš Močnik lives in the town Cerklje nearby, and hence his Opus 14 in the Velesovo church is a kind of his “showroom” instrument. It was built in a very traditional manner, inspired by the Thuringian baroque organs, particularly by the work of Zacharias Hildebrandt.