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  • Future Music Issue 381 April 2022 PDF
    March 9th, 2022 ⚡
    Categories: News

    Future Music Issue 381 April 2022 PDF

    Future Music Issue 381

    English | 100 pages | True PDF | 46.66 MB

    In the studio with… Subjective Goldie and James Davidson’s second album looks back to drum&bass history… from the shores of Thailand. Classic Album: Addictive TV, Orchestra of Samples Producer’s Guide to… Physical Modelling Synthesis



    Viewed 3996 By Music Producers.


    • Future Music Issue 378 2021
      February 27th, 2022 ⚡
      Categories: News

      Future Music Issue 378 2021

      Future Music Issue 378 2021

      English | 100 pages | True PDF | 19.27 MB

      IN THE STUDIO WITH… Nightmares on Wax George Evelyn talks 30 years of Warp, new album Shout Out! To Freedom and re-evaluating life’s important stuff.



      Viewed 4129 By Music Producers.


      • Future Music Issue 380, March 2022
        February 9th, 2022 ⚡
        Categories: News

        Future Music Issue 380, March 2022

        Future Music 380 March 2022

        English | 100 pages | PDF | 50 MB

        IN THE STUDIO WITH…Sally Shapiro The enigmatic Swedish italo-disco/ synthpop duo emerge from hiatus for new LP Sad Cities. RETROSPECTIVE: Hard house It’s house and it’s hard. This pleasingly straightforward subgenre has never taken itself too seriously



        Viewed 3794 By Music Producers.


        • Future Music December 2021
          December 16th, 2021 ⚡
          Categories: News

          Future Music December 2021

          Future Music December 2021

          English | 100 pages | True PDF | 20 MB



          Viewed 5938 By Music Producers.


          • Future Music Issue 366 2021 DVD CONTENT
            October 23rd, 2021 ⚡

            Future Music Issue 366 2021 DVD CONTENT

            Future Music 366 DVD CONTENT

            MaGeSY® EXCLUSiVE | 13.01.2021 | CONTENT: 16.80 GB

            English | 100 pages | True PDF | PDF ONLY: 45 MB

            The idea of using chance, probability and generative systems in music making is nothing new, but tools to accomplish these things have certainly become more common of late. Just look at some recent gear highlights – Novation Launchpad Pro, Arturia KeyStep Pro, Elektron Model Cycles, Korg opsix and Wavestate all come equipped with some kind of randomiser or probability-driven feature. It seems these tools that have long been popular in the modular realm are making their way into mainstream music gear. But why should we care? As we dig into in this issue’s cover feature, far from just being a lazy way to auto-generate sounds, adding a bit of chance and unpredictably to your music making can be a great way to inspire creativity, add variation and generate ‘happy accidents’ you might not discover otherwise.



            Viewed 10221 By Music Producers.


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