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The DX7 brought digital synthesis to everyday musicians, transformed the sound of the charts, and won the title of best-selling synth of all time. DX7 V is a software reimagining of the icon, bringing that iconic glassy, punchy, crystal-clear sound to your DAW. Struck, plucked, and bowed sounds were the DX’s specialty, as were percussive keyboards like EPs and Clavs. Hear that FM edge rendered with loving precision. From FM classics to lilting pads and sparkling motion-synth soundscapes, listeners will wonder how you got “that” sound.
FRMS is a versatile granular synthesizer that combines granular synthesis with FM synthesis using a flexible layering system. From heavily-dense ambient drones, to glitchy mechanical beings, turn simple sounds into complex evolving soundscapes, with up to four layers of synthesis in any combination.
Sumu breaks completely new ground in software synthesis, combining additive resynthesis with FM and vector field spatialization. Its collection of ten modules, designed around a unique multi-channel patcher, offer musical possibilities not found in any other instrument. In Sumu, sampled sounds are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations. Using the central multi-channel patcher, each partial in a sound can be manipulated independently in a way that feels more like playing than programming. Pick a few harmonics and frequency-modulate them? No problem. Delay each partial according to its frequency? Sure. Sumu enables precise and careful changes in space and time, or wild chaotic ones. Take a sample, choose a few partials, and place them somewhere else in the sound field. Or explode everything and stir it into a whirlwind of doppler shifted chorus as each partial zooms around on its own path.
CLUSTER is a collection of 246 presets made from a series of radically different synth architectures each pushed to its limits to produce small families of amazing sounds. Stunningly beautiful slow organic pads, deep complex basses, chaotic and viscous throbs, FM and analog drumkits, dusty modelled keyboards, warped alien leads, glorious dissonant evolutions and arps a plenty. CLUSTER isn’t aimed at any specific genre – although it does carry the strange and beautiful Sound Dust dna of other instrument designs – CLUSTER is earfruit intended to trigger and inspire new musical thoughts and sonic inventions. But if you don’t own Zebra 2 you can still enjoy the joys of CLUSTERing with the massive CLUSTER earfruits loop pack. Over 2000 tempo synced loops and one shots sampled from the Zebra engine. These are really handy to drop into your DAW of choice or into the bespoke Kontakt earfruits engine. 246 inspiring patches for Zebra 2 wrapped up in a bespoke skin + 6.7GB of sampled loops & a granular Kontakt player U-He’s Zebra 2 is a powerful semi modular soft synth with almost too many sonic possibilities under its hood.
chipsynth MD is a feature-rich four operator FM synth that packs quite a punch. The Mega Drive – also known as Genesis – is a much beloved console system that brought the bright and sparkly sound of FM to the masses. It resulted in the creation of numerous fast paced and exciting soundtracks, and it still drives the creativity of composers to this day. As we designed chipsynth MD, we couldn’t help ourselves but to jam pack it with features that take it to the next level, with an access to every component of the hardware no matter how obscure, and an intelligent layering system that lets you turn any OPN2 patch into a monstrous ear-splitting 6-layer wall of sound. MD features a bit accurate OPN2 (YM2612) emulator. We combined it with a SN76489-compatible square wave core (SPSG) and a special emulation of the very crunchy sample playback found in games, and we multiplied all of this by 6 to make it polyphonic in every situation imaginable. A complimentary VGM file player allows you to audition hundreds of vintage soundtracks just like they were meant to be heard.
Chipsynth PortaFM is the first member of the chipsynth synthesizer line, a bit-accurate reproduction of a vintage low-cost 2 operator FM chip (OPLL) inside a new synthesizer design. PortaFM is a unique two operator FM synth with a very quirky feature set. The late 80’s ‘PSS’ series was cheesy and made of plastic but had a very unique sound which was lost to time. Some of the most well known examples of synthesizers in this series include the PSS-140, PSS-270 mini keyboards and the SHS-10 keytar. Not willing to just copy the past, Plogue designed a new synthesizer that features the same sound generation found in these synthesizers, but this time with much more processing power to control and modulate its features, all in a convenient virtual instrument form. PortaFM uses a pair of cycle-accurately emulated OPLL (YM2413) FM chip cores for its main synth engine, and another core dedicated to the the drum sounds, all of which can be layered creatively.