Polycomb is a polyponic comb filter VST effect. It is similar to Dronebox but the comb filters are controled by polyphonic midi input. This allows rapid chord changes with up to 32 note polyphony.
WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.
A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output. The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.
Electrophonics is an eclectic library of sounds processed through a modular synth system. Great for soundtrack work, but equally useful for adding texture or more organic elements to all types of electronic music. There are 138 patches (plus an additional 32 Time Machine versions of patches with rhythmic content), made from more than 730, 24 bit 44.1kHz samples. The patches are arranged in categories: Coolicon, Drones, Filter Sweeps, Modular Tones, Odyssey FX, Percussion, Space Atmospheres, and Zither. There are also convolution impulses from a Roland SRE-555 and a Doepfer A-199 spring reverb.
We are pleased to announce a new version of WVS plugins, WVS V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
SCAF consists of a filter and an amplifier section. Both can be controlled by any track in your project. The routing between the tracks is done via internal host-independent side chains. The sections are independent so the filter’s cutoff frequency might follow the volume envelope of one track’s signal while an other track conducts the amplifier. You set the start and endpoints for gain and cutoff frequency. So the amp section can work in compressing or expanding mode. And the filter can sweep from low to high frequencies or vice versa while the controlling signals volume rises from zero to full scale.
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