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  • Tube-Tech ME 1B v2.5.9 WiN-R2R
    May 7th, 2021
    Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

    Tube-Tech ME 1B v2.5.9 WiN

    ME 1B v2.5.9 WiN

    Team R2R | 05 Jan 2021 | 11.5MB

    PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

    The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go! The ME 1B is Tube-Tech’s unique take on the classic Pultec MEQ-5 midrange equalizer. There’s a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good. Just like the Tube-Tech PE 1C “Pultec” Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it’s a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full featured equalizer.



    Viewed 17629 By Music Producers.


    • Tube-Tech PE 1C v2.5.9 WiN-R2R
      May 6th, 2021
      Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

      Tube-Tech PE 1C v2.5.9 WiN-R2R

      PE 1C v2.5.9 WiN

      Team R2R | 05 Jan 2021 | 13.7MB

      PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

      The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C ‘Pultec’ Equalizer you’ll find that these equalizers complement each other perfectly.



      Viewed 18310 By Music Producers.


      • Grand Channel v2.5.9 WiN-R2R
        May 5th, 2021
        Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

        Grand Channel v2.5.9 WiN-R2R

        Grand Channel v2.5.9 WiN

        Team R2R | Jan 04 2021 | 29 MB

        PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

        Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs. Having the two combined in a single plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.



        Viewed 28294 By Music Producers.


        • Curve Bender: Mastering EQ v2.5.9 WiN-R2R
          May 4th, 2021
          Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

          Curve Bender Mastering EQ v2.5.9 WiN-R2R

          Curve Bender: Mastering EQ WiN

          Team R2R | 03 Jan 2021 | 15.1MB

          PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

          Sovereign of analog mastering equalizers.

          If there was a hierarchy of analog studio gear (and let’s face it, there kind of is) it’d be hard to dispute the Chandler Limited® Curve Bender’s claim to the throne. Among analog mastering grade equalizers, this one’s about as blue-blooded as they come. With tremendous pedigree, huge yet controlled power, and most importantly, exceptional sound quality, thanks to component-level modelling of the original germanium and inductor circuits, the Curve Bender, now available for the first time in native format, reigns supreme over the domain of tone-shaping in analog mastering.



          Viewed 27351 By Music Producers.


          • Shade v1.1.2 AAX VST x64 WiN-R2R
            May 1st, 2021
            Categories: AAX, VST, WiNDOWS, x64

            Shade v1.1.2 AAX VST x64 WiN-R2R

            Shade v1.1.2 AAX VST x64 WiN

            Team R2R | 🌟HAPPY NEW YEAR!🎉 | 7.5MB

            Shade is a next-gen Swiss Army knife filtering tool, designed to shatter the boundaries of conventional EQ, filtering, and modulation effects. More than a filter, Shade is a creative environment, combining an unparalleled selection of 35 filter shapes with 9 types of modulators. Drag-and-drop modulation onto any parameter in a fully-configurable semi-modular system, complete with one-to-many and many-to-one routing, cross-modulation, envelope followers with sidechain and filter inputs, featured MSEGs, triggerable envelopes that can sync to host, audio, or MIDI, comprehensive multichannel support, and more. Shade delivers the EQ and filtering features you already know and love, while opening a whole new world of creative effects to explore.



            Viewed 33875 By Music Producers.


            • A.i.R-EQ Premium v1.1.11.3 WiN-R2R
              May 1st, 2021
              Categories: AAX, VST, VST3, WiNDOWS, x64, x64

              A.i.R-EQ Premium v1.1.11.3 WiN-R2R

              A.i.R-EQ Premium v1.1.11.3 WiN

              Team R2R | 🌟HAPPY NEW YEAR!🎉 | 67.8MB

              .: AAX, VST2, VST3: x64 :.

              Simple, intuitive and fast-performing, A.i.R-EQ was designed with a vision of achieving musical, technical and sonic excellence. The Water and Fire curves, just as the Character and Strength parameters were adjusted by ear, so mixing engineers can focus on one thing – making music sound great. With its unprecedented Character and Strength parameters, Air and Earth, and its ease of use, intuitive and musical features, A.i.R-EQ is an equalizer which is truly unique in design. Additionally, due to its transparent and precise sound, zero-delay processing and low CPU, you will always get the best quality processing without compromise. That’s why A.i.R-EQ is ideal for Mastering, Mixing, Post-Production, and any situation where getting the best musical EQ sound, the fastest performance, and an intuitive workflow is of the utmost importance.



              Viewed 16212 By Music Producers.




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