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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Passive EQ Collection v1.0.0 VST2 VST3 x64 WiN-MOCHA
    March 19th, 2024 ⚡
    Categories: VST, VST3, WiNDOWS, x64, x64

    Passive Eq Collection V1.0.0 Vst2 Vst3 X64 Win Mocha

    Passive EQ Collection v1.0.0 WiN

    MOCHA | 18 November 2023 | 8.0 MB

    Passive EQ Collection Immersive

    The EQP-1A based on Classic Program Equalizer from the ’60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware. The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with Passive EQ Collection plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.



    Viewed 40547 By Music Producers.


    • MEQ-5 v1.0.0 VST2 VST3 x64 WiN-MOCHA
      March 19th, 2024 ⚡
      Categories: VST, VST3, WiNDOWS, x64, x64

      Meq 5 V1.0.0 Vst2 Vst3 X64 Win Mocha

      MEQ-5 v1.0.0 WiN

      MOCHA | 18 November 2023 | 6.8 MB

      MEQ-5 Midrange Equalizer

      The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.



      Viewed 32448 By Music Producers.


      • Kirchhoff-EQ v1.6.4 AAX VST2 VST3 x64 WiN-TCD
        March 12th, 2024 ⚡
        Categories: AAX, VST, VST3, WiNDOWS, x64, x64

        Kirchhoff-EQ v1.6.4 AAX VST2 VST3 x64 WiN-TCD

        Kirchhoff-EQ v1.6.4 WiN

        Team TCD | 10 May 2023 | 20 MB

        ULTIMATE EQ PLUGIN WITH SUPERB DYNAMIC PROCESSING AND VINTAGE MODELS Kirchhoff-EQ is an ultimate 32-band parametric EQ plugin built for all critical professional applications. It has refined sound quality, analogue-matched curves, 15 filter types with continuously variable shape and 32 vintage EQ types modeled from real-world devices. The builtin dynamic processing functions are highly flexible and have ultra-low distorion. All these push Kirchhoff-EQ to a next-generation standard.



        Viewed 90161 By Music Producers.


        • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS-MORiA
          March 10th, 2024 ⚡
          Categories: AU, macOS, U2B, VST, VST3, x64, x64

          TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

          TE-100 v1.1.3 macOS

          MORiA | 10 March 2024 | 31.9 MB

          The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



          Viewed 61689 By Music Producers.


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