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  • Tube-Tech ME 1B v2.5.9 WiN-R2R
    May 7th, 2021
    Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

    Tube-Tech ME 1B v2.5.9 WiN

    ME 1B v2.5.9 WiN

    Team R2R | 05 Jan 2021 | 11.5MB

    PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

    The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go! The ME 1B is Tube-Tech’s unique take on the classic Pultec MEQ-5 midrange equalizer. There’s a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good. Just like the Tube-Tech PE 1C “Pultec” Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it’s a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full featured equalizer.



    Viewed 23023 By Music Producers.


    • Tube-Tech PE 1C v2.5.9 WiN-R2R
      May 6th, 2021
      Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

      Tube-Tech PE 1C v2.5.9 WiN-R2R

      PE 1C v2.5.9 WiN

      Team R2R | 05 Jan 2021 | 13.7MB

      PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

      The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C ‘Pultec’ Equalizer you’ll find that these equalizers complement each other perfectly.



      Viewed 20091 By Music Producers.


      • Curve Bender: Mastering EQ v2.5.9 WiN-R2R
        May 4th, 2021
        Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

        Curve Bender Mastering EQ v2.5.9 WiN-R2R

        Curve Bender: Mastering EQ WiN

        Team R2R | 03 Jan 2021 | 15.1MB

        PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

        Sovereign of analog mastering equalizers.

        If there was a hierarchy of analog studio gear (and let’s face it, there kind of is) it’d be hard to dispute the Chandler Limited® Curve Bender’s claim to the throne. Among analog mastering grade equalizers, this one’s about as blue-blooded as they come. With tremendous pedigree, huge yet controlled power, and most importantly, exceptional sound quality, thanks to component-level modelling of the original germanium and inductor circuits, the Curve Bender, now available for the first time in native format, reigns supreme over the domain of tone-shaping in analog mastering.



        Viewed 28869 By Music Producers.


        • Germanium Comp v2.5.9 WiN-R2R
          May 4th, 2021
          Categories: AAX, Softube, SSX, VST, VST3, WiNDOWS, x64, x64

          Germanium Comp v2.5.9 WiN-R2R

          Germanium Comp v2.5.9 WiN

          Team R2R | 2021.01.03 | 37.94 MB

          PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

          A highly versatile mojo machine, capable of replacing multiple plug-ins in a chain – EQ, distortion, transient designer, you name it – the Germanium Compressor is so much more than gain reduction. Engineered with an ear for music before mathematics, this is a trusty companion for producers, recording engineers, and creative musicians of all kinds. This is a meticulous model of the Chandler Limited® hardware, tested in our lab to ensure it performs like the hardware does, for the same excellent sound quality and inspiring vibe.



          Viewed 28686 By Music Producers.


          • Shade v1.1.2 AAX VST x64 WiN-R2R
            May 1st, 2021
            Categories: AAX, VST, WiNDOWS, x64

            Shade v1.1.2 AAX VST x64 WiN-R2R

            Shade v1.1.2 AAX VST x64 WiN

            Team R2R | 🌟HAPPY NEW YEAR!🎉 | 7.5MB

            Shade is a next-gen Swiss Army knife filtering tool, designed to shatter the boundaries of conventional EQ, filtering, and modulation effects. More than a filter, Shade is a creative environment, combining an unparalleled selection of 35 filter shapes with 9 types of modulators. Drag-and-drop modulation onto any parameter in a fully-configurable semi-modular system, complete with one-to-many and many-to-one routing, cross-modulation, envelope followers with sidechain and filter inputs, featured MSEGs, triggerable envelopes that can sync to host, audio, or MIDI, comprehensive multichannel support, and more. Shade delivers the EQ and filtering features you already know and love, while opening a whole new world of creative effects to explore.



            Viewed 34619 By Music Producers.


            • A.i.R-EQ Premium v1.1.11.3 WiN-R2R
              May 1st, 2021
              Categories: AAX, VST, VST3, WiNDOWS, x64, x64

              A.i.R-EQ Premium v1.1.11.3 WiN-R2R

              A.i.R-EQ Premium v1.1.11.3 WiN

              Team R2R | 🌟HAPPY NEW YEAR!🎉 | 67.8MB

              .: AAX, VST2, VST3: x64 :.

              Simple, intuitive and fast-performing, A.i.R-EQ was designed with a vision of achieving musical, technical and sonic excellence. The Water and Fire curves, just as the Character and Strength parameters were adjusted by ear, so mixing engineers can focus on one thing – making music sound great. With its unprecedented Character and Strength parameters, Air and Earth, and its ease of use, intuitive and musical features, A.i.R-EQ is an equalizer which is truly unique in design. Additionally, due to its transparent and precise sound, zero-delay processing and low CPU, you will always get the best quality processing without compromise. That’s why A.i.R-EQ is ideal for Mastering, Mixing, Post-Production, and any situation where getting the best musical EQ sound, the fastest performance, and an intuitive workflow is of the utmost importance.



              Viewed 16893 By Music Producers.


              • Complete v12 29.04.21 WiN MAC
                April 29th, 2021

                Complete v12 29.04.21 WiN MAC

                Complete v12 29.04.21 WiN MAC

                P2P | 29.04.2021 | 🔰 WiN: 6.32 GB | 🔰 MAC: 5.52 GB

                WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.



                Viewed 220275 By Music Producers.


                • FD2N Russian Edition v1.1.1 WiN-R2R
                  April 26th, 2021
                  Categories: AAX, VST, VST3, WiNDOWS, x64

                  FD2N Russian Edition v1.1.1 WiN

                  Team R2R | Feb 28 2020 | 8 MB

                  PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

                  “FULLNESS TUBE EQUALIZER”



                  Viewed 54473 By Music Producers.


                  • God Mode v2.0.0 WiN MAC RETAiL-SYNTHiC4TE
                    April 22nd, 2021
                    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

                    God Mode v2.0.0 WiN MAC RETAiL-SYNTHiC4TE

                    God Mode v2.0.0 WiN MAC

                    FLARE | 22 April 2021 | WiN 5.47 MB | OSX 7.71 MB

                    ..:: VST, VST3, AU, AAX, x64 ::..

                    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



                    Viewed 71988 By Music Producers.


                    • SPECTRL EQ v1.0.0 WiN-R2R
                      April 18th, 2021
                      Categories: AAX, VST, VST3, WiNDOWS, x64, x64

                      SPECTRL EQ v1.0.0 WiN-R2R

                      SPECTRL EQ v1.0.0 WiN

                      Team R2R | 2021.04.18 | 5.97 MB

                      PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

                      The Creative Filter For Sound Designers

                      SPCTRL EQ allows you to sculpt and shape up to 4096 individual frequency bands in a unique and powerful way. The heart of SPCTRL EQ is its highly flexible Curve Editor that gives you excellent control over the spectrum of any sound.



                      Viewed 20928 By Music Producers.




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