Complete v13 2021.11.15 MAC
Team RET | 17 Nov 2021 | 5.19 GB
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VL1 is a freeware emulator of the world famous classic calculator annex mini-synthesizer from the eighties made by Casio. VL1 is not a sample player, it is a real emulator that emulates the original hardware. All sounds are generated by software equivalents of the original circuits and the calculator actually works. This also means that ADSR sound programming is fully functional! VL1 was written in honour of Casio’s little VL-TONE that has given me many hours of pleasure and fun.
Emulator II V is a recreation of E-Mu Systems’ iconic 8-bit sampler that popularized sampling technology in the ’80s. Learn how to use this reimagined instrument in this course, with trainer and synth expert. Released in 1984 to critical acclaim and used by top artists (such as Stevie Wonder, Peter Gabriel, Depeche Mode and so many more), the Emulator II played an important role in democratizing sampling technology. Compared to the Fairlight $32,000 price tag, the Emulator II was a bargain at the time at around $8000. However, finding a working unit nowadays is both difficult and much more expensive. Thanks to Arturia’s Emulator II V, musicians can bring this classic sampler into the modern days. This course, by Nigel Broad will teach you all you need to know about Emulator II V.
The VST module we present is a result of about 6 years experience in analyzing, developing and creating patches for various echo gear. From an engineering point of view, the objective was to emphasise on the already available vintage measurement libraries and applying the do-act-improve cycle to the design at hand as to maximise the possible performance possible. The final approach taken is a dual approach. In many cases the guitar player is not interested in fine-tuning an echo device but would just like to select a recommended setting and play along with it. For this type of player the preset manager is loaded with a extensive set of pre-programmed patches ready to be used. In other cases where the guitar player requires matching the exact echo with the echo that was used to record the track from his/her favourite artist.
Synth expert delivers comprehensive Arturia Emulator II V tutorials! Experience recreation of a seminal sampling workhorse from the ’80s, the E-Mu Systems Emulator II. Learn and explore all of the Emulator II V’s features and functions, as well as see how to create amazing sounds with this spot-on recreation from scratch. These videos are designed for new Arturia Emulator II V users. Tyler begins with an overview of what the Emulator II V is, including a bit of history before digging into the instrument, and then gets you acquainted with the interface and general layout, the Main Panel which is home to the controls used to quickly access linked voices, and more. Then it’s on to the Advanced Panel which provides access to controls with far greater depth to craft sounds, even more than the original Emulator II! Tyler also explains the Edit, Assign, and Effects sections and then shows you how to define the Filter, Amplifier, and Linking settings for any of the eight voices so you can make truly endless sounds.
SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.