100 Discotheque Jingles Vol.1
Team DjYOPMiX | 06 October 2024 | 411.34 MB
Original Release Date : 1976
Deejay Special Samples Vocal & Jingles Radios
Viewed 49642 By Music Producers & DJ´s.
Deejay Special Samples Vocal & Jingles Radios
Deejay Special Samples Vocal & Jingles Radios
Clearmountain is the recipient of 6 ENGINEER OF THE YEAR awards!! This is THE most famous drum sampling CD ever, and has become a standard work tool for professionals worldwide. 900 natural drum samples for your studio, recorded in the best studios in the world. REVIEWS: ” A collection of beautifully sampled drum sounds” (Mix) ” A treasure house of great drums” (Keyboard) “Recording standard is immaculate, it simply couldn’t be bettered with any of today’s technology” (MT).
Grooves of middle eastern percussion and instruments.
In 1987, Public Enemy redefined rap music and hip-hop culture with their explosive debut album, “Yo! Bum Rush The Show.” Their subsequent 6 albums, released over the next decade, sold millions of copies worldwide. The New York Times named Public Enemy’s “It Takes A Nation of Millions To Hold Us Back,” on their list of “25 Most Significant Albums of the Last Century” and Entertainment Weekly listed their “Fear Of A Black Planet” album to be one of the most important records of the ’90s.
Quantum Leap Brass East West’s Quantum Leap Brass fills an important void in most orchestral sample libraries. Desktop musicians who strive for variety and verisimilitude in their jazz and symphonic scores inevitably fall flat when it comes to adding convincing brass parts. In most sample libraries, you can find a modest assortment of solo trumpets, trombones, and saxophones, but few offerings explore the full range of expressive and idiomatic techniques that brass players use. Quantum Leap Brass, on the other hand, truly revels in the unique sounds that brass instruments make. The Quantum Leap Brass library ($695) is offered in formats for GigaSampler, Unity, Akai S1000/5000/6000, Kurzweil, Roland, and E-mu. The five-disc collection (six discs for Akai S1000) includes an assortment of solo trumpet, three-part (unison) trumpet section, solo flugelhorn, piccolo trumpet, three-part trombone section, solo tenor and bass trombone, solo tuba, solo saxophone (soprano, alto, tenor, and baritone), and four-part (unison) French horn patches.
SanXian (literally means “3 strings”) can be traced back to Qin dynasty, 3rd century B.C. It is mostly known to the West through its Japanese decedent, samisen. SanXian’s sound character is a bit similar to Banjo. SanXian comes in a several sizes, the big SanXian can be a tough challenge for short musicians. Even though SanXian has always been a vital component in the Chinese music, in modern times people inclined to learn other instruments over it for various reasons. SanXian is still widely used in all kinds of folk musical acts and performances everywhere. Nowadays in the Shanghai area, a revived form of performance, PingTan (評彈), is usually performed as a duet of a PiPa and a SanXian. Appreciating this kind of local forms of musical performances characterizes that China is, once again, embracing her own historical music tradition.