Creative Rotations, SLURP is a digital synthesizer that convert traditional oscillations into rotations. Control these rotational dynamics with 3 oscillating sources of your choice.
Casio’s uniquely powerful early-digital synthesiser • 3 digiwave oscillators with complex, involving waveforms, each with its own modulation and envelope controls • 80 factory patches plus instant patch creation with the Glitch button • Truly unusual sound palette – grainier and airier than FM or LA • Shifting, morphing soundscapes a speciality! Released in 1987, the HT-6000 came just as Casio was making a determined effort to carve out a swathe of the pro audio market. Machines like the CZ-1 phase distortion synth had already staked a claim, suggesting that Casio needn’t just be known for home keyboards; the follow-up FZ-1 sampler was a real eye-opener, offering 16-bit sampling at a shocking low price. Clearly Casio had serious designs on studio space – which makes the arrival of the HT-6000 all the more confusing. On the one hand, it boasted some truly impressive on-paper spec: four digital oscillators each capable of generating 32 different waveforms, plus analogue filters and decent modulation capabilities. On the other hand, it had built-in speakers and an overall vibe that uncertainly straddled the line between studio synth and home keyboard. Probably as a direct result of this, it failed to make a significant mark in either arena, and now remains something of a cult keyboard – largely forgotten, and all but buried under a landslide of DX7s and D50s.
The SST-282 Space Station (1978) defined the reverb sound of artists like Depeche Mode, Tycho, and Hannes Bieger. Its time-modulated algorithm created a lush, dimensional space that remains instantly recognizable to this day. The SST-206 enhances the original’s 7kHz bandwidth to 22kHz with longer delay times – and now you can have it in your DAW without paying $4,000+ for a used hardware unit. The SST-206 is a direct mathematical reconstruction of the original DSP architecture.
‘Dynamic Snares Vol 1’ brings you 100 amazing, hard-hitting snares that are sure to inspire and beef up your productions. This collection is perfect for all genres that need big, crunchy snare drums. This versatile pack will add power to your rhythm section.
DP version 11 delivers exciting new features like Nanosampler 2.0, Retrospective Audio Record, Articulation Maps and MPE Support, plus dozens of workflow enhancements requested by DP users.
‘Reggaetone’ blends Jamaican music influences of reggae and dancehall with those of Latin America, such as bomba, plena, salsa, merengue, latin pop and bachata as well as that of hip hop, contemporary R&B, and electronica. From the trippin collection of Toorasi Minorah, Bunker 8 Digital Labs presents Reggaetone. Blending Jamaican music influences of reggae and dancehall with those of Latin America, such as bomba, plena, salsa, merengue, latin pop and bachata as well as that of hip hop, contemporary R&B, and electronica. Rin Tin Snares, poppin’ sub basses, deep extended kits, latino percussives, these kits have it all. This is just the blunted island dance sound your creativity has been cravin’.
An inspiring instrument that combines a variety of acoustic instruments from around the world with digital synthesis, layers of organic sound recordings, and effects processing.
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