Magesy® R-Evolution™, Magesy® Magesy.Pro®, VST, VST3, VSTi, AU, AAX, RTAS, UAD and Pro Audio Hardware Reviews., 2020-02-19, AAX, AU, macOS, VSTi, WiNDOWS, x64, x86, 2020
Magesy® R-Evolution™
  • Electric Bass v1.3 AAX AU VSTi WiN MAC-DECiBEL
    19 February 2020
    ..:: Category(s):

    Electric Bass v1.3 WiN MAC

    Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

    …::: AAX, AU, VSTi, x86 ,x64 :::…

    Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.

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    4489
  • Upright Bass v1.6 AAX AU VSTi WiN MAC-DECiBEL
    19 February 2020
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    Upright bass v1.6 WiN MAC

    Team DECiBEL | 19 Feb 2020 | 1.25 GB-1.29 GB Each

    Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!

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    6915
  • Beats Drum v2.6 AAX AU VSTi WiN MAC-DECiBEL
    19 February 2020
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    Beats Drum v2.6 WiN MAC

    Team DECiBEL | 18 Feb 2020 | 3.82 GB

    Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.

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    27007
  • Cinematic Sound Pack WAV-DECiBEL
    19 February 2020
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    Cinematic Sound Pack

    Team DECiBEL | 19 Feb 2020 | 672.9 MB

    Works on any editing software such as DaVinci Resolve, Adobe Premiere Pro, Final Cut and many more. The Best Cinematic SFX for Filmmakers; including Mix & Match Melodies in the same Key/BPM to create your own scores.

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    2547
  • Mark 73 Electric Piano v2.0
    13 February 2020
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    Mark 73 Electric Piano v2.0 WiN MAC

    Team DECiBEL/P2P | 13.02.2020 | 3.79 GB Each

    KONTAKT | WiN: AAX VSTi | MAC: AAX AU VSTi

    Mark 73 Electric Piano was sampled from a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp. Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.

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    16501




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