Guide Sidechain Compression TUTORiAL

FANTASTiC | 25 May 2018 | 444 MB

Electronic Music Producers

Another series designed for the electronic music producer, this time focused on the highly important technique of creating and using sidechain compression. Adam welcomes you and gives an overview of what sidechain compression is, and why and when you want to use it. He then covers all the basic controls such as Attack, Release, Threshold, and something Adam likes to call ‘hold down’. You’ll then learn fantastic tips and tricks for using and applying sidechain compression such as Ghost Kicks, Clicks, Lookahead Mode, Compression Modes, 3rd Party Compressors and more.

Dynamics & Compression TUTORiAL

iLFSN | 30.03.2018 | 50 Mins | 315 MB

Electronic Music Producers Guide

Dynamics and Compressors and how they’re used in the Electronic Music genre to tame signals as well as create interesting effects and colors. Adam begins by welcoming you and then starts at the beginning, covering what compression and dynamic processors are, as well as why you would want to use them. Limiters are then looked at and explained, followed by the basic controls found on compressors and limiters such as ratio, attack time & make up gain, release time and more. Next, Multiplier covers why each compressor behaves differently, how to utilize input high pass filtering for better compression, saturating with analog compressors, and how to compress inconsistent audio. Lastly, you’ll learn things like how much compression you should really apply, how to use distortion as a compressor, understanding gates, and the basics of transient shapers.

Compression with The Glue TUTORiAL

Team DECiBEL | 10 Jan 2018 | 217.0 MB

Known for its ability to gel sounds together. We’re going to look at various features and functions of The Glue and how we can use it in a variety of different settings. From the controls featured to drum compression, vocal compression, synth processing and mix bus compression. You’ll also walk through features like the side chain filters and external side chain filters to get a sense of just how capable this compressor is.

Basics of Compression TUTORiAL

P2P | 08 DECEMBER 2015 | 286.83 MB

Using a compressor and understanding compression is one of the hardest things for entry audio engineers to grasp. With so many different compressors and compressors types its not hard to see why people struggle with compression. Compression is critical to getting good mixes in music today, and without a proper knowledge of compressors and how to use them your mixes can easily turn thin and lifeless. Compressors can add color to tracks, crush drums, smooth out vocals, and add weight to a bass. Compressors can add to an track, or it can take away. For example, with a compressor you add punch to a kick drum, you can take the punch away. It all depends on how you use it. And there are many, many ways to use a compressor. Using compression properly will help improve your mixes by keeping dynamics controlled.

All About Compression TUTORiAL

P2P | 01 Dec 2015 | 600 MB

Audio Engineering

Ready to take your compression skills to the next level? In my All About Compression course I move on to more advanced information about compression. I will go over advanced compressor controls such as mix, knee, and side chain. If you’ve taken my basics of compression course then consider this course the next step to continue learning about compression. In All About Compression I will cover the different types of compressors, different kinds of compressors, uses for different type of compressors, classic compressors and how to use them, and much more. I also go over different compressor techniques and examples of use. This course will expand your capabilities with a compressor and introduce you to new ways of how to use them. I’ve been engineering for over 15 years now, and in that time I’ve gotten to use a lot of different compressors. And I’ve gotten to know some compressors very well. The more you use and learn about compressors the more the confident you will become in using them. And this course should help boost that confidence. Because all compressors are different it can be difficult to find the right compressor the job. I will go over my approach to choosing a compressor for a track. Anyone taking this course should have a DAW (Digital Audio Workstation) with a compressor plugin so they can go over and practice these techniques. The DAW being used in this course Presonus Studio One. However the DAW you use is not important, as all DAW’s will come with a compressor.

Using Compression in Music Productions

ilfsn | 07.05.2017 | 0.5 Hours | 507 MB

Do you know how to use a Compressor in your music productions. Its such an important tool that can really change up your songs by taming or enhancing the dynamics in your music. In this class Gary will go through how to use a Compressor into your digital audio workstation (DAW). He’ll give you advice on best practices when using a compressor. Plus, how to get the best from your performances with a compressor

Compression & Dynamic Processing TUTORiAL

SYNTHiC4TE | Jan 13 2013 | 2.92 GB

In this first installment of the Foundations of Audio series, author Brian Lee White shows how to improve the sound of a mix with compressors, limiters, gates, de-essers, and other dynamic processors. The course explains the fundamentals of sound waves, and amplitude, explores common compressor controls, and shows how to eliminate unwanted noise using gates and expanders. The course also demonstrates best practices in compression and limiting in a variety of audio applications and covers sculpting the attack and decay of individual notes with transient shapers and applying frequency specific dynamics control with multiband compressors. Exercise files accompany the course and include special Get in the Mix session files.