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  • De La Mancha SixtyFive VST v1.0-ASSiGN
    November 24th, 2021 ⚡MaGeSY®
    Categories: De La Mancha, VST, WiNDOWS, x86

    De La Mancha SixtyFive VST v1.0-ASSiGN

    QB3 v1.1 VST x86 WiN

    TEAM ASSiGN | 25 DECEMBER 2010 | 16.3 MB

    SixtyFive is a vintage-style, RMS Compressor, inspired by the dbx? 165A, a classic 1970’s compressor found in many studios, but it also adds a couple of new twists. It’s a soft-knee RMS compressor with a vintage flavour. The RMS detection and soft-knee help to give a smooth and musical compression experience, the non-linear response imparts character and the gentle saturation brings colour and warmth. As well as all of the originals features, this version adds parallel compression, extended knob ranges and peak metering. sixtyfive can deliver a range of compression from gentle smoothing of vocal performances to brutal slamming of your drum buss. Enjoy!



    Viewed 4265 By Music Producers.


    • Material Comp v1.0.5e AU AAX VST2 VST3 64Bit macOS
      October 26th, 2021 ⚡MaGeSY®
      Categories: AAX, AU, macOS, VST, VST3, x64, x64

      Material Comp v1.0.5e AAX VST2 VST3 64Bit macOS-FLARE

      Material Comp v1.0.5e MAC

      Team FLARE | 07 July 2021 | 155 MB

      ..:: AU, AAX, VST2, VST3, 64Bit ::..

      Added MORiA VERSiON

      A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.



      Viewed 56711 By Music Producers.


      • OptoRED v1.1.0 WiN MAC-R2R
        October 24th, 2021 ⚡MaGeSY®
        Categories: AU, macOS, VST, VST3, WiNDOWS, x64

        OptoRED v1.1.0 WiN MAC-R2R

        OptoRED v1.1.0 WiN MAC

        Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

        PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

        OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.



        Viewed 86312 By Music Producers.


        • Smasher v1.1.1 WiN-RET
          September 13th, 2021 ⚡MaGeSY®
          Categories: AAX, VST, VST3, WiNDOWS, x64, x86

          Smasher v1.1.1 WiN-RET

          Smasher v1.1.1 WiN

          Team RET | 13 September 2021 | 24.05 MB

          PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

          Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.



          Viewed 30678 By Music Producers.


          • OptoRED v1.4.0 AU VST3 64Bit macOS-SPTNDC
            May 26th, 2021 ⚡MaGeSY®
            Categories: AAX, AU, macOS, VST3, x64

            OptoRED v1.4.0 AU VST3 64Bit macOS-SPTNDC

            OptoRED v1.4.0 macOS

            SPTNDC | May 26 2021| 25.11 MB

            PLATFORMS: AAX/AU/VST3/64Bit

            OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.



            Viewed 15783 By Music Producers.


            • OptoRED v1.4.0 VST3 x64 WiN (REPACK)
              May 23rd, 2021 ⚡MaGeSY®
              Categories: VST3, WiNDOWS, x64

              OptoRED v1.4.0 VST3 x64 WiN

              OptoRED v1.4.0 WiN

              JustFun598 | 23 May 2021 | 29.49 MB

              PLATFORMS: WiN64 – VST3

              OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.



              Viewed 12349 By Music Producers.





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