• Chameleon Surround v1.0.2 AAX VST3 x64 WiN-R2R-MaGeSY

    Chameleon Surround WiN

    Team R2R | 17 October 2024 | 15.1 MB

    Chameleon Surround: Immersive Soundscapes Captured

    Chameleon Surround is the Atmos reverb you’ve always wanted. Now with the introduction of Chameleon Surround, the capabilities have expanded beyond standard stereo reverb into immersive, multi-dimensional sound. This new version takes the acclaimed reverb-matching technology of Chameleon and enhances it with powerful surround sound capabilities, making it a must-have tool for more complex audio environments such as Atmos movies, TV shows, and immersive gaming. Now it includes a ton of new presets and a gorgeous preset browser, with an amazing selection of room reverbs right out of the box, including; halls, small spaces, car interiors and more. Chameleon Surround takes the capabilities of its predecessor to a whole new dimension. While still offering the same powerful reverb analysis and matching, the Surround version introduces immersive 3D reverb effects, designed specifically for multi-channel audio setups. This makes it ideal for those working in modern audio formats, such as film, TV, and gaming, where for many surround sound is now the standard.


    Viewed 11121 By Music Producers & DJ´s.


  • Chameleon 2 v2.1.4 AAX VST3 x64 WiN-R2R
    October 17th, 2024 ⚡
    Categories:

    Chameleon 2 v2.1.1 AAX VST3 x64 WiN-R2R-MaGeSY

    Chameleon 2 v2.1.4 WiN

    Team R2R | 17 October 2024 | 12.7 MB

    Chameleon is an intelligent audio plugin which uses artificial neural networks to estimate and model the exact reverb content of any source recording. You can build a reverb profile in seconds and easily apply it to dry studio recordings.


    Viewed 43315 By Music Producers & DJ´s.


  • P11 Abyss v2.0.3 AAX VST3 x64 WiN-R2R-MaGeSY

    P11 Abyss v2.0.5 WiN

    Team TCD | 02 March 2024 | 17.2MB

    P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.


    Viewed 4471 By Music Producers & DJ´s.


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