Chamber Strings Adaptive KONTAKT

P2P | 23 July 2024 | 4.64GB

Chamber Strings Adaptive

Recorded at the First Presbyterian Church, Santa Monica where A-list Los Angeles-based orchestras record and perform.

.: LiMiNAL KONTAKT :.

P2P | 7 June 2022 | 3.42 GB

Inspiring Textural Strings

LIMINAL: CHAMBER STRING TEXTURES VOLUME 1, a library of intimately recorded Violin, Viola and Cello samples – playable using the full version of Kontakt 6.6.1+. The library’s articulations are aleatoric, long and evolving, with the performer imparting character and movement into each sample. Recorded closely and dry, the sounds are great for adding unpredictable nuance, detail and creative imperfection. This library is not intended for fast passages or soaring melodies. It is especially suited as a collection of naturalistic pads, perfect for underscoring or ethereal soundscapes. The user-interface allows articulations to be layered, mixed and reversed. LFO controls can be enabled, allowing your DAW’s tempo to dictate the modulation of an individual layer’s volume. This opens the door for tempo-synced swells and unleashes even more creative possibilities for evolving texture.

Chamber Strings v2 LiTE®

P2P | 10 June 2021 | 789 MB

Chamber Strings is a highly detailed and flexible chamber string library (6,5,3,3,1) recorded by expert recording engineer. A range of exciting and revolutionary techniques for recording longs, as well as freshly conceived scripting concepts allowed the natural dynamic movements of the musicians to be maintained, while remaining playable and intuitive. Windmill Lane is a uniquely wonderful scoring stage, used on many orchestral, film and TV projects. Utilizing the dryness of the room feature multiple mic positions with natural air absorption. In line with the Light and Sound philosophy which celebrates maximum flexibility, the sound can be shaped more freely than with samples recorded in a more ambient environment. To recreate the natural bleed of a real recording environment, the close mics of all sections were left open and set at their natural panning and levels while recording each instrument section. The “Bleeds” mic adds a unique and realistic flavor to mockups and compositions.