Muzik Box WiN MAC

Team DECiBEL | 22 Mar 2020 | 92.5 MB

….:::: AU, VSTi, x86, x64 ::::….

Muzik Box is a High-Quality Music Box we sampled from a old music box made in 1907. the music box we sampled in fact is a replica of a Fabergé music box. we added a nice dark feel to the samples to give it more of a edge.This dynamic software, concept, idea, and design was built by S3 aka S3MI SOSA. We made this plugin simple and intuitive to use so you can get right to making some fire right out the box Muzik Box works with any Windows or Mac daw except for pro tools. Muzik Box Comes in both VST & Audio Unit (AU) format.

Trailer Box KONTAKT

Team DECiBEL | 23 Mar 2021 | 1.11GB

Twisted organics. Reimagined noise sound design with unnatural feeling. Don’t stress about finding the perfect soundtrack for your video project, Trailer Box is here to help! Create a modern cinematic sound design in minutes with Trailer Box. Although Trailer Box is primarily designed for use with Kontakt, the samples can be used without the engine inside your DAW.

COLORTONE PRO v1.xx WiN MAC

Teams AiR/ArCADE | 2007/2008 | 12 MB

AU, VST,  RTAS,  x86

ColorTone-Pro is a “Tone Box” which simulates the signal path of analog devices through the use of convolution and various proprietary non-linear processes. ColorTone is designed to provide analog-like character and flavor to the modern digital audio workstation. ColorTone-Pro allows the user to multiply the color of the selected circuit, increasing the color from the standard character to several times the original color.

Music Box WAV

Team DECiBEL | 18 Feb 2019 | 264.5 MB

Props Box WAV

P2P | 21.01.2019 | 3.93 GB

Props Box sound library is a collection of different sounds emitted by everyday objects used in weird ways. It can be a great and handy tool in designing more complex sound effects for games, or just a go to pack to quickly fill the gaps in movies and other linear media. Everything was recorded with high quality equipment, able to capture frequencies well above 20kHz, so it’s a very flexible material when it comes to stretching or pitch shifting. 169 mono files features more than 1000 sound effects, cause each recording contains different variations of the same activity. The total length of the files is 292 minutes, and you can read more about included sounds here. As for the post processing, everything was edited and mastered. Editing came down to removing unwanted sounds between takes, and mastering to removing harsh sounding frequencies, compressing and setting everything on level that is comfortable to work with, so you don’t have to constantly adjust the levels while looking for specific sound.

Music Box KONTAKT

P2P | 26.12.2018 | 92 MB

Long before the Rhodes piano made tines rock’n’roll, little resonating metal bars were called lamellae and were to be found lurking below the ornately-carved exteriors of Victorian musical boxes. Some of these clockwork devices were extraordinarily intricate, involving moving figures that twirled, danced, made gestures or appeared to speak before retiring into concealment. Larger mechanisms might have removable and replaceable drums, allowing you to play different tunes (possibly the earliest example of the hot-swappable storage drive?!). All of them were more or less crude attempts to bring the music of the symphony or chamber orchestra home to the individual consumer, to be set going whenever you might wish (so, possibly the precursor of the iPod, too…) Music Box celebrates this decidedly clockwork heritage but – of course – welds in some more contemporary strangeness along the way. At its core, Music Box is sampled from a 3-octave professional musical mechanism which runs its tunes from punched paper rolls, like a player piano, instead of a drum. This lets the user create whatever tune they wish, with a little paper punch. (We opted for a 3-octave scale – not very exciting, but good for sampling!) To record this, we clamped it to the soundboard of our Takamine acoustic guitar, tuned the open strings in unison, and put a capo on the neck in tune with whichever note we were sampling – so the guitar body adds a hefty dose of musically-relevant resonance to the initial pluck of the lamellae.

Cubase Working Outside of the Box

FANTASTiC | 28 July 2018 | 231 MB

Studio master brings you the video tutorials you’ve always wanted when needing to hook up external synths to your Cubase DAW system! Get all the basic questions answered as well as info on more advanced topics and solutions. Designed for the beginner to working with external synths in Cubase, Paul starts at the beginning showing you how to save your own input configuration to make the most of your available inputs, and set yourself up for the first device. Then it’s onto making your first connections and recording a single synth, layering parts as you go to create your full production, using only a single external synth. You’ll also get tips on ways to monitor your external synth, and how to get the most out of just one device. Still using only one synth, Paul now reveals how to capture and print MIDI data to audio, and talks about organizational approaches to handling multiple pairs of MIDI and audio tracks, as well as how to go back and make edits to your overdubs. For the rest of the video tutorials you’ll explore more advanced topics such as configuring your external synths to function like VST Instrument Tracks, using MIDI Clock, MIDI CC and Program Changes, MIDI Thru, Expanding Ports and more!