TAL-BassLine 101 v3.9.3

Team R2R | 14 September 2024 | 56.1MB

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

Garage Bassline SAMPLES

P2P | 26.05.2011 | 196 MB

a Totally New music Production Library With over 800 Niche Garage Sound Samples!!!

Acid V v1.0.0 WiN

Team R2R | 24 August 2023 | 305 MB

Acid V: Corrosive Bassline Machine

Acid V channels the cult-classic bass synth that pushed the underground into overdrive. Pump your mixes full of reactive ever-evolving bass grooves, unleash mutated sequences fizzing with distortion, and experiment with extra features for revitalized rave energy.

Acid V v1.0.0 macOS

P2P | 22 August 2023 | 530 MB

Acid V: Corrosive Bassline Machine

Acid V channels the cult-classic bass synth that pushed the underground into overdrive. Pump your mixes full of reactive ever-evolving bass grooves, unleash mutated sequences fizzing with distortion, and experiment with extra features for revitalized rave energy.

TAL-BassLine 101 v3.8.1

MORiA | 29 September 2023 | 25.82 MB

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

Mightyfools: Bassline & Electro

Team AudioP2P | 14 November 2009 | 98.91 MB

Over 220MB of funky, freaky and furious fidget, bassline and electro-house from Dutch masters Mightyfools – all presented in pristine 24-bit quality. Combining elements of nu-rave, electro and house, fidget has stormed dancefloors worldwide over the past year. Instrumental in the rise of the scene are Amsterdam’s Mightyfools. Featuring banging bass loops, deep and dirty drum loops, sizzling synths and an extensive arsenal of drum hits, combis and FX to boot, all sounds are Acidized and recorded at an industry standard 128bpm. 250+ sounds in total. Designed with pure dancefloor devastation in mind, it won’t be long before this release is earmarked as a future classic.

Bassline Fundamentals

FANTASTiC | 29 May 2023 | 1.8 GB

Bassline composition knowledge is a huge part of producing electronic music, ensuring that the low end of a track is delivering the necessary components that complete the groove. On this series of courses, you’ll learn the fundamentals of bassline creation from the ground up, covering all the principles and theory, as well as a wide range of techniques and specific examples that put everything into practice. On this first part designed for beginners, the main focuses are the cornerstones of any bassline, which are its rhythm and pitch. By the end of the course, you’ll have a good understanding of the core aspects of timing of a bassline along with the different pitches it can play, all of which can be applied in a wide range of styles. The rhythm module starts at the very beginning with the main note timings and demonstrations of how to create a continuous bassline with a fixed speed, showing workflows for working with samples on audio tracks in addition to within sampler instruments on MIDI tracks, explaining the differences and pros and cons of each method. Concepts like syncopation are then explained as patterns are made by repeating rhythmic motifs with varying levels, which are expanded to form longer phrases at the end of the module, taking a single oneshot sample right up to a 4-bar bassline.