Are you tired of muddy and sloppy bass in your room with bass notes masking your music into one big bloated mess? Need a cost effective way of dealing with the problem? Then you should build your own DIY Bass Absorbers following our easy to follow plans!
This course aims to teach you all of the fundamental knowledge you will need to know when implementing a bass element into your track. This course has been split up so each video will take an in-depth look at key topics, such as monitoring, composition, synthesis, processing. This is the one stop answer for electronic music producers wishing to perfect their skills and get their basses sounding clear, loud and punchy in the mix.
DnB legend returns to the Producertech community to share his secrets for producing incredible Neuro-style basslines. His 2 hours of comprehensive tutorials cover sound design, arranging and composition, mixing and processing, all with Logic’s built-in instruments and effects. The first few tutorials focus on designing bass patches, where uses Alchemy and EXS24 to create a number of gnarly sounds, featuring different sonic textures and LFO-driven movement. The presets are then drawn and played into the timeline to create an exciting 32-bar phrase, with call and response and automation employed to ensure dancefloor satisfaction. The remainder of the course then shows how to process the basses via different buss channels to get the mix sounding chunky but clear, with both drums and bass finding their own unique space.
Remember Seinfeld? Remember that poppin’ slap bass sound all over the show – in the titles, in the end credits, in every sting and transition? Well, this is the little box of tricks that made that sound. The 360 Systems MIDI Bass was an early sampled bass unit, later upgraded to a Pro version that rackmounted. It was a limited but (for its time) powerful-sounding machine that had swappable EPROMS to access additional sounds. We managed to score an original tabletop MIDI Bass plus a set of EPROMS covering a range of both classic and unusual sounds with a distinctly 80s vibe. There is, of course, ‘that’ Seinfeld Slap bass; but if you don’t fancy reliving the glory days of American comedy, there are seven other sounds to choose from – a great Fender Jazz bass, through a punchy 80s synth bass to a rather cool Stick bass (think Tony Levin playing Peter Gabriel’s live gigs and you’ve got it)… and more.
Studio Devil Virtual Bass Amp Pro is a bass amp modeling and audio effects plug-in for use with VST, AudioUnits, and ProTools RTAS compatible hosts running on both Mac and Windows platforms.
Everybody who thought the classic „buab“ by Tower of Power´s baritonesax sounds deep should listen now to these loops. That´s really new: so soulful and melodic, almost a half octave lower are these new Bass Sax loops, played in a contemporary groovestyle. Played by Multisaxman David Milzow on an extraordinary HighClass- Instrument of the Keilwerth company, these samples show the really new possibilities of this “beast”, think of “Barry White goes Sax”. The saxophone for this production was recorded with premium-class microphones and high-end analog/digital converters. All Licks in this library are available as dry versions, without any additional e.q.- , compressor- or reverb effects. Attention: All backing tracks used in the demo are not included in the library and only function as examples.
