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  • Digital Audio Editing PDF
    October 8th, 2013 ⚡
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    Digital Audio Editing PDF

    LiBER8 | 2013 | PDF | 336 Pages | 6.7 MB

    Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.


    Viewed 6963 By Music Producers & DJ´s.


  • Audio Technology – Issue 4, 2013
    September 29th, 2013 ⚡
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    Audio Technology – Issue 4, 2013

    English | Pages 51 | PDF | 12.6 Mb

    If you’re serious about audio then AudioTechnology is your magazine: whether it be the inside story behind the world’s great albums or the best-sounding concert productions, videogame sound, software tips, reviews of the latest gear, opinion and news – AudioTechnology has you covered.


    Viewed 4107 By Music Producers & DJ´s.


  • iZ RX 3 Audio Repair Toolbox TUTORiAL
    September 21st, 2013 ⚡
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    iZ RX 3 Audio Repair Toolbox TUTORiAL

    SYNTHiC4TE | Sept 20 2013 | 512.28 MB

    This 43-video in-depth course, by audio expert Matt Hepworth, offers a comprehensive look at iZ’s RX 3’s arsenal of audio restoration modules. You learn about their functionality and – with an abundance of real-world audio examples – you get to see these modules in action. There is no better way to learn about audio and the RX 3!


    Viewed 6088 By Music Producers & DJ´s.


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    Audio Damage Replicant VST AU UB PC MAC

    Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

    Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.


    Viewed 8973 By Music Producers & DJ´s.


  • Audio Damage Vapor v1.0 VST PC
    September 20th, 2013 ⚡
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    Audio Damage Vapor v1.0 VST PC

    Team AiR | Date: 11/2007 | 1.91 MB

    What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals “chorus”). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone. Vapor’s main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.


    Viewed 6479 By Music Producers & DJ´s.


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    Audio Damage Liquid VST AU UB 1.0.1 MAC

    Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

    Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.


    Viewed 8934 By Music Producers & DJ´s.


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    4Media Audio Converter Pro v6.5.0

    CHAOS | Sept 19 2013 | 33.5 MB

    4Media Audio Converter Pro encompasses the functions of audio converter, audio extractor, CD ripper and CD burner, allowing you to convert between audio formats, extract audio from general and high-definition video files, rip CDs to music files, and burn CD from audio files.


    Viewed 5253 By Music Producers & DJ´s.


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