AAS Modeling Collection v2024.01 WiN

Team V.R | 15 March 2024 | 292.3 MB

§ VST · VSTi · AAX · STANDALONE · x64 §

The Modeling Collection gives you the best value by bundling Tassman 4, Lounge Lizard EP-4, Ultra Analog VA-2, String Studio VS-2, Strum Acoustic GS-1, Strum Electric GS-1, and Chromaphone.A comprehensive software instrument solution; The Modeling Collection gives you the best value by bundling all latest versions of Tassman 4, Lounge Lizard EP-4, Ultra Analog VA-2, String Studio VS-2, Strum Acoustic GS-1, Strum Electric GS-1, and Chromaphone and its predecessors. More than 1800 presets: basses, guitars, synths, electric pianos, organs, clavinets, leads, pads, violins and cellos, ethnic instruments, ambiences, percussions, sound effects, and many other-worldy sounds

AAS Modeling Collection v10.05 WiN MAC

TEAM AiR | 08 January 2017 | 292.3 MB

§ VST · AU · RTAS · AAX Native · STANDALONE §

The Modeling Collection gives you the best value by bundling Tassman 4, Lounge Lizard EP-4, Ultra Analog VA-2, String Studio VS-2, Strum Acoustic GS-1, Strum Electric GS-1, and Chromaphone.A comprehensive software instrument solution; The Modeling Collection gives you the best value by bundling all latest versions of Tassman 4, Lounge Lizard EP-4, Ultra Analog VA-2, String Studio VS-2, Strum Acoustic GS-1, Strum Electric GS-1, and Chromaphone and its predecessors. More than 1800 presets: basses, guitars, synths, electric pianos, organs, clavinets, leads, pads, violins and cellos, ethnic instruments, ambiences, percussions, sound effects, and many other-worldy sounds

SWAM Audio Modeling Demystified

FANTASTiC | 09 February 2022 | 615 MB

SWAM 3 technology is here, and it’s a great way to create the timbre and expressivity of real instruments. It uses both physical and BEHAVIORAL modeling to create a realism that is truly astonishing! Check it in this 23 video course. Sample libraries, traditionally, are the main source of sound when creating orchestral scores in a DAW. They are all vast collections of pre-recorded audio snapshots that are actuated and strung together using MIDI velocities and articulation sets. SWAM, however, is completely different. You see, live musicians don’t play in sampled snapshots. Quite the contrary, they are expressive, emotional artists who infuse every individual note, continuously, with musical feeling. That’s where SWAM excels. It utilizes an advanced physical modeling technology that allows (and actually requires) the synthesist/producer/performer to continuously input their musical expression via MIDI control into the SWAM instruments to be ultimately rewarded with amazingly realistic and very human musical results achieving a verisimilitude that you just can’t get from a sample library.