Fenix Red Nebula 3 Library

P2P | 21.03.2017 | 47.79 MB

Creamy Vari-Mu Compressor

Anyone who has ever wanted the ultimate tube compressor that can bring a vocal forward, add a little air, hold the dynamics in place and add a size and dimension to the audio without that audio getting cloudy can now realize their wildest dreams!!! This Vari-Mu compressor embodies all that is good and right with tube compressors that actually use the tube in the gain reduction circuit. Two units sampled: the Balck Mix Compressor with stock Siemens and NOS Amperex Bugle Boy tubes, and the Red Mastering Limited Edition compressor with NOS Mullard and NOS Telefunken tubes.

BEST Plugins For Audio Engineering

FANTASTiC | 16 April 2022 | 160 MB

.: Mixing Hip-Hop Trap A Beginners Guide :.

Have you ever wondered what the best plugins are for beginners to mix hip-hop & rap? There are a LOT out there on the market. How do you know which ones to get? In this course I break down which plug-ins I think are best and why. In this course I’ll walk you through each one of the most common plug-in bundles and when you might want to use each.

Drawmer S73 2.5.9 WiN

Team R2R | Jan 04 2021 | 13 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

For the mastering engineer, a multi-band compressor is a powerful tool. But a multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor. Use it to shape your mix with clarity and definition that no regular compressor could ever provide.

Massive Mix eQ Nebula 3

P2P | 21.03.2017 | 991.19 MB

The Passive Sweetness

The Massive Mix eQualizer makes everything sound better. You can expect the best strengths of Pultec-style equalizers as well as choice console, parametric, and graphic Eqs. All the radical shaping you’ll need for the most demanding of sessions as well as the delicate, subtle shadings needed for vocals and mastering. Massive Mix eQualizer manages to sound clean without being weak and characterless. There is little apparent colouration, just a maturity of tone.

Adjectives of Audio TUTORiAL

P2P | October 11 2015 | 171 MB

Audio Engineering

This course will teach you how to understand some of the popular adjectives used to describe audio. This course consists of the explanations of popular adjectives used to describe audio. Dark – this means the signal sounds vintage, to understand what vintage sounds like listen to some old recording and study the tone. Dark sounding also falls under colored. Bright – this means the signal has more high frequencies. If you want to make something sound brighter add some high frequency to it. Bright being the opposite of dark can be great on some vocals. Clean – clean means your signal is pure and accurate. This is a modern sound, the opposite of vintage. For example a clean mic pre means it doesn’t change (or color) your sound. So what you put in is what you get back. Solid-state or transformerless is generally clean.

All About EQ TUTORiAL

P2P 24 December 2015 | 374 MB

Learn all you need to efficiently use EQ in recording and mixing

EQ is one of the two most commonly used signal processing tools audio engineers use everyday, the other being a compressor. EQ is very powerful because allows to alter the frequency of a track, instrument, or vocal. Anyone interested in learning more about EQ should subscribe to this course. In this course I start with learning frequencies. Its incredible how some engineers can pinpoint problem frequencies. I will show my approach for learning frequencies when you hear them. After a lot of practice you will be grabbing an EQ and adjusting problem frequencies with confidence. You will also learn the difference in parametric and semi parametric EQ’s. Also I go over fixed frequency eq’s. Knowing the difference between these will help you know which ones to reach for and when. EQ curves can take on many different settings with its different shapes of curves.

Basics of Compression TUTORiAL

P2P | 08 DECEMBER 2015 | 286.83 MB

Using a compressor and understanding compression is one of the hardest things for entry audio engineers to grasp. With so many different compressors and compressors types its not hard to see why people struggle with compression. Compression is critical to getting good mixes in music today, and without a proper knowledge of compressors and how to use them your mixes can easily turn thin and lifeless. Compressors can add color to tracks, crush drums, smooth out vocals, and add weight to a bass. Compressors can add to an track, or it can take away. For example, with a compressor you add punch to a kick drum, you can take the punch away. It all depends on how you use it. And there are many, many ways to use a compressor. Using compression properly will help improve your mixes by keeping dynamics controlled.