Skew v1.0.0 WiN MAC

ARTiCSTORM | 17 March 2022 | 9MB

Skew is a non-linear audio reverser. Perfectly synchronized to the host transport, it is constantly recording the incoming audio into a buffer – and playing it back in reversed chunks. The big trick in this algorithm is that it’s able to warp its playback speed via a selection of non-linear curves, thus bending the pitch in various ways. With each parameter having an extremely wide range of adjustment, Skew can be used to create multiple rhythmically-precise effects such as reversing, tape rewind, pitch slides, detune, glitching, and scratching. Thanks to its fine calibration, responsiveness, and DJ-style crossfade control, Skew can easily be automated or manipulated in real-time to add exciting musical complexity and create cool build-ups, breaks, and transitions.

AudioMulch v2.2.4 WiN

ARTiCSTORM | 31 January 2022 | 24.2MB

AudioMulch is an interactive musician’s environment for PC and Mac. It is used for live electronic music performance, composition and sound design. AudioMulch allows you to make music by patching together a range of sound producing and processing modules. Unlike some patcher-based programming environments, AudioMulch’s modules perform high-level musical functions, so you don’t have to create things from the ground up using individual oscillators and filters. AudioMulch is designed for live performance and improvisation – you can process live audio sources and control every knob and slider on the user interface using a MIDI controller.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs