The Abuser is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles.
Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series. With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.
Filterstation2 is the take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit. Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.
ADverb2 is a full update of our classic ADverb (originally named “c”) vintage digital plate reverb. We took the DSP code from the original, greatly expanded the maximum decay time, and created versions for all popular plugin platforms.
PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do. The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.)
ENSO, An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality. Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes.
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Underground Vocals Vol.1 TEAM MAGNETRiXX | 18 December 2013 | 159 MB 'Underground Vocals Vol 1' features one-of-a-kind phrases from Freck Billionaire (Fabolous...
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Talk Box Gospel TEAM MAGNETRiXX | 09 November 2014 | 115 MB 'Talk Box Gospel' comes on strong with that high quality Gospel sound you have been waiting for. Thi...
Mixing Heavy Rock Metal TUTORiAL SYNTHiC4TE | 09 December 2013 | 1.31 GB MAKE YOUR TRACKS SCREAM Multi-Platinum Engineer and Producer Kenny Gioia returns with a...
ARC System 4 v4.0.1 macOS MORiA | 15 July 2024 | 57.9MB .: STANDALONE | AU | VST | VST3 :. Mix faster and more confidently than ever ARC 4 combines an ultra-acc...
Double Bass Mania III WAV AudioP2P | 31 October 2009 | 708.38 MB Ultra Extream Metal Speed Kills. And Double Bass Mania III brings it faster and harder than any...
