🎵 MaGeSY ® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • Gem Voice v1.0.3 WiN MAC-R2R
    October 22nd, 2021 ⚡MaGeSY®

    Gem Voice v1.0.1 WiN MAC-R2R

    Gem Voice v1.0.3 WiN MAC

    Team R2R | 23 Sep 2021 | WiN: 93.9 MB | OSX: 125 MB

    WiN32/64/MAC: STANDALONE/AU/VST/VST3/AAX

    A comprehensive vocal production plug-in based on analog processors VOICE is the new Gem plug-in designed for vocal processing. VOICE offers a comprehensive and streamlined vocal production workflow, based on analog processors.



    Viewed 73374 By Music Producers.


    • Analog Techno Bass Stabs WAV-FANTASTiC
      October 17th, 2021 ⚡MaGeSY®
      Categories: Audio Samples, WAV

      Analog Techno Bass Stabs WAV-FANTASTiC

      Analog Techno Bass Stabs

      FANTASTiC | 17 October 2021 | 86 MB

      ‘Analog Techno Bass Stabs’ was designed with analogue in mind. Inside you will find 124 24-Bit WAV files in the key of C, all sampled, tweaked and manipulated ready to be loaded into any DAW. Designed with some of the most prolific analogue synths in electronic music, including Sub-37, Prophet 6, Juno, Arp Odyssey, MS-20, Moog Minitaur, Yamaha TX81Z, Waldorf Blofeld and a Novation KS Rack. Inside the pack you will find a wide selection of samples, from raw sounds from the synths mentioned above, to processed and layered stabs, reverbed sounds and wide stabs.



      Viewed 6098 By Music Producers.


      • Puremagnetik Analog Bass Vol.2 For KONTAKT-AMPLiFY
        October 17th, 2021 ⚡MaGeSY®

        Puremagnetik Analog Bass Vol.2 For KONTAKT-AMPLiFY

        Analog Bass Vol.2 KONTAKT

        Team AMPLiFY | 06.01.2008 | 175.57 MB

        The Bad Bass of a KORG MS-20

        Analog Bass Volume 2 aims to re-create the unique character of the MS-20 for use in modern digital workstations. Sampled with the highest quality conversion, Puremagnetik has captured the authentic sound of this legendary monosynth. Puremagnetik has gone a step further and combined external Moog® and Doepfer® modulation sources with the MS-20 to create new sounds impossible to produce with the MS-20 alone. The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter.



        Viewed 80374 By Music Producers.


        • Analog Lab V v5.4.0 WiN CSE-V.R
          October 14th, 2021 ⚡MaGeSY®

          Analog Lab V v5.4.0 WiN CSE-V.R

          Analog Lab V v5.4.0 WiN CSE

          Team V.R | 15 September 2021 | 6.51 GB

          STANDALONE/AAX/VSTi/VST3/x64

          Analog Lab gives you streamlined access to 6500+ of the hottest presets. Featuring sounds from all 21 faithfully modeled vintage keyboards, combining awe-inspiring sound with exceptional ease of use and awesome features. In addition to studying the feedback from the music community, our developers worked hand-in-hand with professional ergonomists to optimize each aspect of this music production & performance dream instrument. It resulted in an intuitive interface, a beautifully organized category based browsing experience, and natural mapping of the sonic parameters, creating a self-contained sonic encyclopedia of legendary sounds.



          Viewed 177545 By Music Producers.


          • Deep Analog Melodics WAV MiDi-AUDiOSTRiKE
            October 11th, 2021 ⚡MaGeSY®

            Deep Analog Melodics WAV MiDi-AUDiOSTRiKE

            Deep & Analog Melodics

            AUDiOSTRiKE | 04/04/2015 | 107 MB

            Deep,raw and 100% analog.That’s what this pack is all about. Be it house,deep tech or garage,these synth and bass loops will kickstart tons of new ideas and help you overcome your writer’s block in no-time. Experience the power of analog beasts from Moog, Elektron, Analogue Soltutions… What’s in the collection: The library features deep evolving pads,dubby chords, souful keys, shuffling stabs, with each synth loop having its own bass counterpart: from subby, to acid, noisy or funky. No compression, limiting or normalization has been applied to the loops, leaving room for you to process them however you may please.



            Viewed 24362 By Music Producers.


            • ANA 2 v2.0.991 AU VSTi VST3 64Bit macOS-SPTNDC
              October 10th, 2021 ⚡MaGeSY®
              Categories: AU, macOS, VST3, VSTi, x64, x64

              ANA 2 v2.0.94 AAX VSTi x64 WiN-R2R

              ANA 2 v2.0.991 macOS

              SPTNDC | October 10 2021 | 370.1 MB

              MEET THE INDUSTRY’S MOST POWERFUL NEW SYNTH

              Packed with game-changing features like the G-Envelope, 6 Oscillators – including 3 Wavetables and 3 Samplers – and the revolutionary Chord Memory Device that offers instant pro chords on single keys, ANA 2 makes producing tracks faster and more intuitive than ever!



              Viewed 10660 By Music Producers.


              • God Mode v2.0.1 WiN MAC-FLARE
                October 7th, 2021 ⚡MaGeSY®
                Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

                God Mode v2.0.1 WiN MAC-FLARE

                God Mode v2.0.1 WiN MAC

                FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

                ..:: VST, VST3, AU, AAX, x86, x64 ::..

                The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



                Viewed 103327 By Music Producers.




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