Korg Universe Vol.1 AKAi

TEAM AMPLiFY | 08.30.2008 | 212.93 MB

Korg Universe Volume 1 is from the German company Back in Time Records who specialise in the production of sample CD’s of older classic synths, we have also reviewed Minimoog Classics and Korg Universe Volume 2. Korg Universe 1 is the companion volume to Volume 2 and covers the sounds produced from 17 Korg synthesisers and drum machines, from classic mono synths like the 700S to the Wavestation AD. There is no duplication with Volume 2 and I’d find it hard to think of anything produced by Korg in the 1970-91 period that isn’t covered by one of these sample CD’s.

Interface Vintage AKAi

Team TZ7iSO | 11.26.2003 | 129.06 MB

This one is a small collection but hellah good one for the Vintage aficionados!!! Including sounds from the top 50 best synths of their time like: ARP, Casio, Korg, Moog, Oberheim, Sequential Circuits and many more… + a couple of Drum Machine of the same time like the famous TR808/909 and so…

Bob Clearmountain Percussion & Bass AKAi

P2P | 27-09-2013 | 274 MB

This collection includes 475 percussion & bass samples from ‘engineer of the year’ (six times!) Bob Clearmountain. Includes: bongos, congas, timbales, cans, cowbells, tambourines, triangles, shakers, maracas, cabasas, rattles, belltrees, chimes, rainsticks, dafs, castanets, tablas, tubes, claves, darbukas, gatos, repeques, bottles, quicas, tamboras, sleigh bells etc. (Stereo & QSOUND versions) Plus Fender Precision and Musicman bass guitars, picked and fingered, amped and direct.

Legendary M400 AKAi

Team-CHiC | 21 May 2003 | 468.5 MB

Electronic / Experimental / Ambient

On this sample CD find 7 sets of the most famous sounds from the legendary M400 and additional one set of custom designed really mad FX sounds. Because the M400 is a monophonic instrument this Sample CD is organized in that way, that you hear allways two samples at the same time, one on the left channel and the other on the right, with the same IDs for the same note. At the beginning of each new set you hear a short demo to give an impression how it will sound when you have finished (for the demo I used these samples, not the original!). The M400 has 35 keys, each with it’s own tape recorded. On this CD one complete set consists also of 35 mono samples. The single sounds have a max. lenght of 9s. The range for every set is G1 – F4. By changing the channels you choose the sounds you are going record. You can use a denoiser for sampling, but this will destroy the original ‘dirty’ sound. Because of age and tape quality slight pitch alterations or short dropouts may occur in some samples. Although I think this makes the charme of this instrument, you should take the neighbour sample and tune it, if you want to have a more ‘perfect’ set. To get a realistic sound of the M400, it is more important to have as many samples as possible than to have less but longer samples.

Drum’n Bass Resonance AKAi

P2P | Apr 2, 2011 | 428.30 MB

Brand new from Germany’s Ueberschall, Drum’n’Bass Resonance is the ultimate in construction kits. Your house is going to quake. This CD contains really cool and tricky drum loops, intense sub-basses and much more. The loops are broken down with the complete mix, then the drum loop, then all of the individual sounds and sub-basses.

AKAi MPC 4000 Hip Hop Drum Kits

P2P | 04/04/2011 | 132 MB

ONE SHOT FiLES WAV

AKAi MPC Live/One/X Videotraining

P2P | GERMAN | 22 March 2021 | 5.22 GB

MP4 | 1920 x 1080 | 25 FPS | Stereo

Mit diesem Videotraining gelingt der mühelose Einstieg in die Welt der Akai Grooveboxen MPC Live, MPC Live MK2, MPC One und MPC X – den intuitiven Produktions- und Performance-Tools von Akai Professional. Anhand von anschaulichen Beispielen führt Produktspezialist Kai Chonishvili durch alle relevanten Themen und Bereiche, angefangen bei wichtigen Grundlagen und dem Modellvergleich über bewährte Workflows bis hin zu nützlichen Besonderheiten für den erfolgreichen Praxiseinsatz. Dazu gehört natürlich auch das Erstellen eines kompletten Songs von A bis Z, das Programmieren von Beats und Melodien mit dem integrierten Sequenzer sowie das Remixen von Loops – ideal für DJs. Bei allen Erklärungen fließen stets auch weiterführende Infos mit ein, wie z.B. zu Einspielhilfen für die Bildung von Arpeggios, Akkorden u.v.m. Selbstverständlich wird auch das Thema Sampling ausführlich anhand praktischer Beispiele behandelt! Von der Looper-Aufnahme über das Slicing bis zum Absampeln externer Instrumente zeigt der Autor die essenziellen Sampling-Grundlagen.