Tube-Tech PE 1C WiN

TEAM AiR | 10/2010 | 13.21 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.

VocAlign Pro RTAS v4.x.x WiN MAC

Team: XVX | 04.26.2010 | MAC: 8.76 MB

Team AiR | 10/2010 | WiN: 5.16 MB

VocALign® is the unique audio software solution for music and audio post that will adjust the timing of one audio signal to match the timing of another. VocALign’s unique ability to align two signals enables it to be used creatively to take guide or even “live” tracks and create performances with perfectly aligned overdubs. This outstanding software gives users perfectly aligned double-tracked vocals, tight backing vocals, easy re-grooving of recorded vocals for remixing and shorter overdub sessions. Users also have the ability to choose the best rhythm and pace for a specific vocal, or even lay down the required tempo pattern for the artist. For post-production, VocALign will automatically edit a line of replacement dialog so that it aligns with the dialog recorded with the original film or video. The artist can concentrate on performance and the result is perfectly lip-sync’d dialog, or more convincing foreign language dubs. VocALign is a truly amazing tool, which reduces the time taken to re-record dialog or vocals, saving money by drastically reducing production and studio time. Artists can now concentrate on performance and not sync during overdubbing sessions.

VirSyn PlugIns Pack WiN

AiR/ASSiGN | 2009/2011 | 177 MB

..:: VST, VSTi, RTAS, x86, x64 ::..

Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.

Sonnox Oxford VST Plugins BundlePack WiN

TEAM AiR | 09/2007 | 34 MB

Sonnox Oxford Plug-ins include: The SuprEsser, a highly efficient de-esser and dynamic EQ; The Restore Suite for sophisticated audio restoration; and most recently, the revolutionary Fraunhofer Pro-Codec, a real-time plug-in for auditioning and encoding audio to multiple formats including iTunes. The Sonnox design team continues to embrace new technology, supporting both Avid’s ProTools | HDX and Universal Audio’s UAD-2 platforms as well as most popular native workstations.

CDXtract v4.5 & 4.5.1 WiN MAC

Team: AiR | Date: 06/2007 | Size: 1.88 MB

Team: ArCADE | Date: 20.12.2008 | 4.1 MB

CDXtract converts all your sampler CDs (Akai, Roland, EMU, Kurzweil…) and files (Giga, Soundfont, Kontakt, Halion, EXS24…) so that you can use them in your Sampler software. CDXtract has been the reference Sampler Format converter since it was first released in 1999. The CDXtract technology is used inside half of the major Sampler software available today such as Halion or Stylus RMX.

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.