• AIR Part 2 for Nebula 192 khz
    February 17th, 2014 ⚡
    Categories:

    image

    AIR Part 2 for Nebula 192 khz

    Team MAGNETRiXX | 17 February 2014 | 197.01 MB

    Part of the proceeds of this work support my chosen charity,the Mumvuri Project. This is an orphanage that I am the patron of in my native Zimbabwe in Africa and this website is an integral part of my fundraising for them. Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 24 presets are available. Library size is 573 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy.


    Viewed 5864 By Music Producers & DJ´s.


  • AIR Part 3 for Nebula 192 khz
    February 17th, 2014 ⚡
    Categories:

    image

    AIR Part 3 for Nebula 192 khz

    Team MAGNETRiXX | 17 February 2014 | 534.08 MB

    Part of the proceeds of this work support my chosen charity,the Mumvuri Project. This is an orphanage that I am the patron of in my native Zimbabwe in Africa and this website is an integral part of my fundraising for them. Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 24 presets are available. Library size is 573 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy.


    Viewed 4632 By Music Producers & DJ´s.


  • AIR Part 8 192 khz for Nebula 3
    February 14th, 2014 ⚡
    Categories:

    image

    AIR Part 8 192 khz for Nebula 3

    Team SYNTHiC4TE | Feb 13 2014 | 148 MB

    Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 24 presets are available. Library size is 573 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. Simply put – this piece of hardware is fantastic in adding that elusive fatigue-free air you wish to have on your tracks or masters. Just this tool can upgrade all your audio to high fidelity. Don’t over use it though. A little goes a long way. This is the FIRST in a series of 8


    Viewed 4714 By Music Producers & DJ´s.


  • TerraTec Komplexer VSTi v1.0.3 WiN-AiR
    February 6th, 2014 ⚡
    Categories:

    image

    TerraTec Komplexer VSTi v1.0.3 WiN

    TEAM AiR | 12.02.2011 | 5.3 MB

    Komplexer ofrece tanto la síntesis analógica virtual y Wavetable síntesis, con ocho a bordo de macro controladores. Con clásico sintetizador de sonido alimentado por tres osciladores, dos filtros multimodo, cuatro y tres sobres ADSDSR LFO, Komplexer también tiene la capacidad para importar sonidos Waldorf microQ. Cortesía de la macro controladores, preajustes pueden ser modificados para satisfacer cada gusto utilizando sólo ocho parámetros. Este instrumento VST también ofrece a los usuarios un acceso sin restricciones a todas las sofisticado motor de síntesis de 400 parámetros. Características avanzadas tales como el arpegiador y LFO 3 synchronizable forma de onda específica del usuario sirve para crear paisajes sonoros que se adaptan automáticamente al tempo de la canción dada. En la matriz de 16×16 modulación casi todos los parámetros de la Komplexer se puede acceder.


    Viewed 9765 By Music Producers & DJ´s.

    Tags:

  • image

    Plate Reverb v1.0.0.2 VST WiN

    TEAM AiR | 08/2006 | WiN | 3.63 MB

    Some  equipment racks  are lucky  enough to  have an Eventide SP2016. It’s  an effects processor  from the mid-1980’s  that included  several reverb  algorithms that  are  still  prized  today:  Stereo  Room,  Room Reverb, and High Density Plate. Princeton Digital has recreated these reverbs in  the Reverb 2016 hardware unit, and these same sounds  are available as vstplugins.


    Viewed 7112 By Music Producers & DJ´s.


  • Sinus TripleComp 1.5 VST WiN-AiR
    January 7th, 2014 ⚡
    Categories:

    image

    Sinus TripleComp 1.5 VST WiN-AiR

    Team AiR | 08/2007 | 1.39 MB

    TripleComp is an advanced and easy to use three band compressor/limiter plugin designed to boost the overall loudness of your music in a very comfortable way. It is mainly intended for “inaudible” compression at the mastering stage, not for sound design. It can be used within VST host applications like Cubase VST, WaveLab, Nuendo, OrionPro, Ableton Live, n-Track, PowerTracks Pro and many others. TripleComp splits up your audio signal into high, mid and low frequency bands. These bands are processed individually by three independent compressors, which you can see on the left of the user interface. Each compressor has an own wave display and reduction meter. In the Master section the three compressed signals are mixed together again. Then the overall signal
    can be limited by using the brickwall limiter of this section.


    Viewed 8752 By Music Producers & DJ´s.

    Tags:

MaGeSY TeleGram Subscribe & Stay up to date with all the Posts that are published in MaGeSY MaGeSY Podcast: Subscribe & Stay up to date with all the Audio Posts that are published in MaGeSY MaGeSY Instagram Official MaGeSY-Youtube Official MaGeSY-X Official MaGeSY-Facebook Official MaGeSY-Pinterest Official MaGeSY-WhatsApp Channel Official

With Adblocker the page loads slower & avoid enhanced new search




ಮ್ಯಾಜೆಸ್ಯ್

MaGeSY ® R-EVOLUTiON™⭐⭐⭐