Big Fish Audio Alien Guitars Vol.2 WAV

Team AI | 11-30-2004 | 1.06 GB

Dash Signature HQS Vol.3 Evalon EVE Addon

Team AI | 06-21-2005 | 243.91 MB

HQS Vol.3 is a Preset/Sample Library for Dashsignature EVE VSTi, a 300+ MB sound set of vintage keyboards and instruments multisamples and one-shots together with 200+ Presets. Evalon is produced by Back In Time Records in association with Dashsignature. The joint development of the Presets and samples has been especially produced and compiled for use in EVE, the leading vintage keyboards synthesizer VST.Thisnew sound set encompasses analog string ensembles and synthesizer samples designed and produced with legendary instruments like Jupiter 6, OB8, Lambda ES-50, Matrix 12, 700S, CS80, Memorymoog, Microwave, PE2000, SCI VS, String Melody II, SS30, Solina and many more. The samples used for the sound sets include analog Pads,Layers,String and Brass Ensembles, Pianos and Synth Leads.

Virtuoso Series Solo Strings Full Edition GiGA

Team AI | 10-07-2003 | 5.10 GB

The Virtuoso Series Solo String Library is designed to be an extremely flexible multi-sample collection containing over 500 instruments! The focus is on single, multi-sample notes rather than “riffs” or “phrases”, though some popular arpeggios and scales are included in the solo violin. Most of the articulations are 8 velocity layers deep, and sometimes, as many as 32. With this approach, it’s easy to avoid the “machine gun” or “robotic” curse of most sample libraries when trying to play fast repeated notes. In addition, to maximize the realistic sound of this type of music, release triggers are also used extensively to enable you to play all kinds of repeated notes in all kinds of tempos.

Virtuoso Series Solo Flute And Flute Section GiGA

Team AI | 09-05-2003 | 2.07 GB

The Virtuoso Series Solo Flute is designed to be an extremely flexible multi-sample collection. The focus is on single, multi-sample notes rather than “riffs” or “phrases”, though some popular rips (fast sweeping “flurries”) are included.

Acoustic Bass Guitar KONTAKT

Team AI | 09-05-2004 | 214.89 MB

Acoustic Bass Guitar was designed to represent the highest quality instrument, while retaining it’s full playability. We began with the finest electric/acoustic bass guitar; sampled at 24-bit/48kHz chromatically, direct in.The samples were then meticulously edited in Steinberg’s Cubase SX 2 during which no processing of any kind (no EQ, no pitch shift/correcting, no noise-reduction) was applied so that we would be able to offer you the purest audio signal.

pHATfactory 001 v1.0122 VSTi WiN

TEAM AI | 03-27-2003 | 333 MB

pHATfactory™ 001 – is the first in a series of groundbreaking new Virtual Instruments defining the future of creative music-making on your computer. pHATfactory™ combines the latest in innovative loop synthesis technology — the award-winning pHATmatik PRO™ loop engine — and over 400MB of cutting-edge, never-heard-before synth loops. But this is no simple loop library… with pHATfactory™, you’re no longer tied to the tempo or key of the included loops. Use pHATfactory’s incredible digital signal processing power to filter, distort, stretch, and mangle. You can even create completely new loops from the individual components of the pHATfactory™ loops.

VSL Horizon Series

Concert Guitar EXS24 DVDR-AI

TEAM AI | 16.03.2004 | 3,26 GB

The Vienna Concert Guitar is the only one of its kind. This hand-made instrument was specially constructed with an arched back put together from several pieces of wood. Its balanced, homogeneous sound allows it to stand its ground as a solo instrument as well as in accompaniment. Due to its polyphonic nature, the concert guitar presented a special challenge. Specifically, chords only sounded authentic when the chords themselves were sampled! After a three year production cycle for the orchestral sample libraries, the Vienna Symphonic Library team felt ready to take up this challenge, capturing all of the concert guitar’s versatility and its many playing techniques.The samples were “tamed” and made reproducible with the help of the Vienna Symphonic Librarys unique Performance Tool. The Vienna Concert Guitar became a reality through a combination of individual prerequisites: The project’s godfather, Thomas Meitz, in the framework of his concert guitar diploma, spent 1 1/2 years on developing the Library’s structure. Due to his practical background as a recording engineer and chief editing engineer of the Vienna Symphonic Library, he was able to realize his concept optimally and without compromise.