The PolyKB captures the sound and spirit of the legendary RSF PolyKobol Analog synthesizer, including one of its most stunning features : A continuous morphing Oscillator, which can be fully modulated by many sources.
The XILS 4 emulates a prototype that was never released, the EMS VCS4, based on two intricate and interacting VCS 3 ( Synthi) cores. We also coupled them with the famous 256 analog polysequencer Is that all ? No, of course, we added a SECOND Matrix, offering 2 additional envelopes, one LFO, a detailed Sample and Hold module, and a Voltage processor. Then invited Velocity, Modulation Wheel, Aftertouch, and all the Midi Cc to join the party. Which means hundreds of additional connexions. Add to that, the analog chorus with its three modes, the analog Delay and Phaser, and the picture emerges.
Stochas is a revolutionary new type of step sequencer that has a unique randomisation engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and take into consideration a bias weighting set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.
The problem when mixing tracks from different sources is that they are often recorded at different levels and it is a tedious task to level out a mix properly so you can hear everything and know what you need to start with, as well as set up the gain structure of a mix to not be clipping everything and then struggle with no headroom for mastering. So Audio Vitamins have developed Structure, a plugin that takes out the tedious task of using meter and trim plugins or applying gain reduction directly on the files to get a solid foundation level for mixing.
Geist Expander: 80s Electro & Hip Hop captures the sound of breaking and scratching, featuring samples and loops that channel the electric boogaloo of the 1980s. In the 1980s, the affordability and accessibility of synthesisers, drum machines and samplers helped to develop dance and hip hop music further. Synth stabs and gated snares became the backbone of what was to become electro, providing a groove and atmosphere suited for the club, as well as allowing rappers to create their own original beats to deliver their message. Geist Expander: 80s Electro & Hip Hop packs loops and hits into a concise collection of content that perfectly encapsulates this era.
Geist Expander: Synth Percussion – A unique collection of percussive drum hits to spice up your drum tracks, made exclusively with synthesisers both old and new. Forget conventional and acoustic drums – this Geist Expander focuses purely on the weird and wonderful results that can be achieved when using synthesisers as a sound source for percussion. Geist Expander: Synth Percussion contains hats, kicks, percussion, snares and tom samples generated from both classic & modern-day synthesisers. Start from scratch to create and entirely electronic rhythmic section, or add analogue chirps & digital buzzes to your beats to give your tracks an inventive twist.
Geist Expander: Japanese Drum Machines is a collection of hits and loops inspired by the infamous early drum machines of the Japanese music tech giants. There is something unmistakeable about the sound of drum machines produced in Japan during the 1980s – crisp, clean and full of character, each machine was to leave an indelible mark on dance, hip hop, techno, electro, acid and a host of other genres. Their legacy continues today, and we’ve captured the very best of these machines in this Geist Expander – everything you need to leave a bit of history on your productions.
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