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Team R2R | 17 September 2021 | 111.15 MB
Viewed 35050 By Music Producers.
The Reason Rack is one of the most powerful and flexible sound design and beatmaking tools for your music. It’s a virtual studio rack packed full of instruments, synthesizers, drum machines, sound-shaping effects, Player MIDI effects, and mixing tools which come together to make your sound possible.
For decades, the 480 has been the standard by which all other reverb processors have been measured. Ask any pro and you’ll soon learn that the 480 is widely considered to be one of the best-sounding reverbs ever built. Nothing compares to the distinctive, smooth, rich “480 sound”. Improved Preset Management: The new preset manager for the Relab LX480 allows you to manage reverb presets using an attractive and intuitive interface. Presets can be sorted and stored in logical groups, for fast and intuitive preset loading and saving. Instantly load presets from the original 480L or start with one of our signature presets from world-class mix engineers and then make minor or major adjustments to those settings to suit the needs of your mix. Of course, you can also save your own favorite reverb sounds for fast recall in future mixes.
Close your eyes and picture a store full of cool, powerful processing gear including compressors, limiters, reverbs, de-essers, multiband processors, and a shelf full of vintage, legendary gear emulations. In short, a dream store for recording musicians, engineers and producers.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
SoloRack is a modular synthesizer that mimics the usability and functionality of hardware Eurorack modular systems, without imposing restrictions on the sound. Both analog modeled/emulated or pure digital modules are possible. Even experienced Eurorack users will find something new within almost all modules available while keeping familiarity and similarity to Eurorack intact for ease of use and seamless integration into Eurorack systems.
AGONYX is a classic virtual-analogue synthesizer capable of doing phat electronic basses, leads, and pads! It features 4 multiwave-oscillators with blending and detuning as well as a stepgate, arpeggiator and various on board effects…
ToStereo is a simple mono to stereo audio signal converter. It helping you to breathe new life into your digital audios mono, flat and dull. You can fine-tune the stereo width.
Torsion Pendulum is a simulator of nonlinearity. It can be used for distortion audio signal and harmonics saturation. There are two algorithms used for simulation of nonlinearity.
Sylfid-f1 is a string instrument based on Syflex’s powerful physical modeling technology. Although similar to a piano (strings, hammer, damper), the goal is not to model an existing instrument, but to create a new one. Thanks to Syflex’s fast simulation technology, the string vibrations can be computed in real-time. Sylfid doesn’t use any samples: everything is computed on the fly. This gives the freedom to change any parameter of the model, allowing to tune the instrument in many different ways, and to produce a wide variety of different sounds. For instance, it is possible to change the material the strings are made of, from plastic to metal, or adjust the shape and hardness of the hammer along with its position on the strings. All these properties can be modified on a per string basis.
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