Orchestral Horror Vol.1 MULTiFORMAT

AUDIOSTRiKE | 07/03/2015 | 502 MB

WAV MiDi REX AiFF

Be afraid, be VERY afraid. Orchestral Horror V1 is here and it’s got everything you need to make spine chilling theme tunes, sound tracks and scores. With dark and haunting string melodies, blood curdling music box riffs and menacing horns we’ve put together 10 scary movie concepts to inspire your inner Hitchcock. This 731 Mb monster of a sample pack includes 165 loops of pristine 24-bit audio. As an added bonus we’ve also included the MIDI arrangements that we put together for the initial composition concepts just in case you wanted to replace the sounds used in our loops with your own virtual instruments.

Classic Bollywood Vol.1

Team Krock | 26 April 2012 | 813 MB

ACiD WAV REX

‘Classic Bollywood Vol 1’ includes the first six construction kits from Classic Bollywood. This library captures the ‘TRUE’ sound of Bollywood Movies and it was composed, recorded and produced by celebrated Bollywood Film Composer, Gaurav Dayal. This beautiful library was recorded on location in New Delhi, India, home of the Bollywood Film industry, by celebrated soundtrack composer, Gaurav Dayal. ‘Classic Bollywood’ includes extremely useful and magical music loops, percussion loops and vocal phrases for music producers around the world. All 100% royalty-free…In addition to the percussion loops, this library features the exotic sounds of an Indian string orchestra (recorded live) along with lush melodic male/female solo vocals and chorus phrases. All vocals have been sung in native languages rather than just alaaps. These loops will work beautifully with any genre be it mainstream World, Pop, Hip Hop, House, Electronica, Orchestral or any other style.

Prosonus Orchestral Brass KONTAKT

DiSCOVER | 22 NOVEMBER 2012 | 283 MB

Solo, section and full orchestral strings

Prepping for Live Recording TUTORiAL

SYNTHiC4TE | July 04 2018 | 143 MB

In this third installment of the Orchestral Sessions series, music composer Olajide Paris covers the preparation work you need to do before any orchestral recording session. In any recording session, the most important work happens before the session even begins. This is even more true for orchestral recordings. Because so many musicians are involved, good preparation can save you a lot of time, and time in the studio equals money! In this course, music composer and producer Olajide Paris covers essential tips and workflows to make sure your recording session runs smoothly. Orchestral musicians usually rely on their conductor as an indicator of tempo, but for music that has to be synced to picture, recording to a click track is a must! Olajide covers different ways to set up a click track in various DAWs (Cubase, Logic Pro X and Pro Tools). He explains how to best deal with tempo changes, count-in, and the odd time signatures that are frequently used in cinematic music. You will discover why you should change the default click track in your DAW to the classic Urei metronome sound, and how to do it. You will also learn how to export tempo maps, create and export stems, how to create a Session Tracker file, and more…

Prep, Notation & Parts TUTORiAL

FANTASTiC | 21 June 2018 | 151 MB

The Orchestral Sessions

So you recorded your MIDI score and can’t wait to hear it played by a live orchestra. What’s the next step? Join music composer  in this new updated course, and learn how to transform your MIDI data into a full score. Nowadays, orchestral music recorded with MIDI in a DAW can sound fantastic, but there’s nothing like music played by real musicians. In this second instalment of the Orchestral Session series, music composer covers the special preparation work needed to transform your MIDI score into data that a notation program can use. In this course, covers essential techniques and strategies to speed up your orchestration prep work. Topics such as when to use region-based vs. event-based quantization, how to deal with dedicated runs libraries so they correctly translate to the score, or how to consolidate MIDI parts are all covered. Olajide also discusses how to create individual parts from ensemble patches, what important housekeeping steps need to be done before exporting, why you should know about the alternative music XML format, and more… In the last section, you learn about the challenges and considerations when orchestrating for the scoring stage, where you learn to import MIDI prepared from a DAW into Sibelius and Finale, and you get a walkthrough of a completed orchestral score!

Metalheads WAV

FANTASTiC | 24 May 2018 | 165 MB

‘Metalheads’ is full of guttural multi layered guitar riffs and cone-rattling basslines. Written and recorded by Chris Matthews from Two Track Sound, this pack draws inspiration from such legendary icons as Iron Maiden, Megadeth and Metallica, to name a few. Ideally placed for use in classic rock, epic orchestral, thrash, and of course, heavy metal tracks. ‘Metelheads’ is not only stuffed with a plethora of face-melting loops, but also comes with stacks of hard-hitting guitar and bass one shots, perfect for thickening up your chords or adding some well placed punch to your production.

Orchestral Elements WAV

Team AUDiOSTRiKE | 30 November 2013 | 116 MB

Scratchy ensembles, lush orchestras, string sections, brass and more, featuring 210+ royalty-free phrases, solos and intros that will find use in hip hop, DnB, downtempo, classic and even house productions. Pre tape, pre vinyl, and pre gramophone, cylinders were the original recording medium created by Thomas Edison. This collection features a unique selection of orchestral elements. 212 clips are offered across 316MB of original material, broken into folders such as Brass, Harp, Intros, Outros, mixed Elements, Orchestral, Strings and Woodwinds. The demo showcases a small selection of clips.