October 2016 issue of Sound On Sound magazine. Reviews: Native Instruments Maschine Jam (Cover), Clouds Hill FX Echo, Make Noise 0-Coast, Unity Audio Super Rock, Mackie ProDX8, Twisted Electrons Acid8, Lauten Audio LA-320.
So you made a track, now what? Learn how digital distribution and other monetization models can work for you One of the biggest questions we hear is, what to do once you begin making music, signing music and creating a buzz with your name? Symphonic Distributions’s Jorge Brea not only runs one of the top digital distribution companies, but he built this company for this exact reason. He too was an artist and saw that there was a huge void in finding the information and tools to get your music in the right hands, to market yourself as an artist and to getting your music signed & released with top labels. This course provides you with the essentials in the next steps after you begin making music to make sure that you are up to date with the knowledge and the strategy for when your music is finished and your identity as the artist begins.
August 2016 issue of Sound On Sound magazine. Reviews: Moog Minimoog Model D, Gizmotron 2.0, Bastl Instruments MicroGranny, MOTU 1248, Modstep, Dave Smith Instruments OB6, Fluid Audio FPX7, Steinberg Wavelab Pro 9.
A library of over 500 electronic clips generated in the legendary Csound music synthesis language – which many argue “is one of the most powerful audio programming languages available to electroacoustic composers today”. *Demo drum sounds from Puremagnetik FM Drums and Digital Beatboxes The first installment in Comput0 series, this vast assortment of looped synth lines, beeps, wobbles and glitches was compiled directly from Csound and programmed in Ableton Live and Apple Loops formats. Each clip is generated with in-measure polyphonic wavetable morphings – something that a sound design language like Csound excels in! Technical jargon aside, imagine being able to play simultaneous notes on a synthesizer while one or more notes switches oscillators, one or more times in the middle of the sustain portion of the chord.
February 2016 issue of Sound on Sound Magazine – The world’s best recording technology magazine! SOUND ON SOUND is recognised internationally as the ‘bible’ of the hi-tech music recording industry. very month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software: DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Soundcards, Mixing Consoles, Effects & Signal Processors and not forgetting studio essentials like Microphones and Monitors, plus the best Musician/Mix Engineer/Record Producer interviews you’ll read anywhere. Our regular Tutorials and practical ‘how to’ Workshops offer no-nonsense advice for pros, semi-pros and beginners alike, helping readers gain the most from their studio tools.
March 2016 issue of Sound on Sound Magazine – The world’s best recording technology magazine! SOUND ON SOUND is recognised internationally as the ‘bible’ of the hi-tech music recording industry. very month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software: DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Soundcards, Mixing Consoles, Effects & Signal Processors and not forgetting studio essentials like Microphones and Monitors, plus the best Musician/Mix Engineer/Record Producer interviews you’ll read anywhere. Our regular Tutorials and practical ‘how to’ Workshops offer no-nonsense advice for pros, semi-pros and beginners alike, helping readers gain the most from their studio tools.
April 2016 issue of Sound on Sound Magazine – The world’s best recording technology magazine! SOUND ON SOUND is recognised internationally as the ‘bible’ of the hi-tech music recording industry. very month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software: DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Soundcards, Mixing Consoles, Effects & Signal Processors and not forgetting studio essentials like Microphones and Monitors, plus the best Musician/Mix Engineer/Record Producer interviews you’ll read anywhere. Our regular Tutorials and practical ‘how to’ Workshops offer no-nonsense advice for pros, semi-pros and beginners alike, helping readers gain the most from their studio tools.
Music Theory Handbook, 7th ED 2025 English | 132 pages | PDF | 84 MB Dive into 130 pages bursting with tutorials that will elevate your skills—master chords, wr...
Universal Synth Editor ARCADiA | 22 February 2025 | 120.20 MB Here is my ‘Universal Synth Editor and Controller - Synth Bridge’ for any Synth, Sampler, Drum Mac...
ERA-D v1.2.1 WiN Team R2R | 29 May 2017 | 22.3 MB WiN32/64 - VST/VST3/RTAS/AAX(MODiFiED) De-Noise & De-Reverbaration Tool As a sound professional, there a...
CrumplePop Complete WiN MAC Team V.R | 23 December 2024 | WiN:370 MB | MAC:1.62GB (Win64; AAX*, VST3, AU, STANDALONE) CrumplePop is the ultimate audio plugin to...
KONTAKT 8 v8.2.0 MAC HCiSO | 22 February 2025 | 1.82GB The virtual instrument platform reinvented Imagine any sound – Kontakt lets you find it, create it, and t...
TCC Plugins Collection WiN Team R2R | 23 December 2024 | ~900MB At TCC we design tools. Tools for human operators. Tools for Post Production, Sound Design and M...
TS2 v2.2.4 WiN x64 Team R2R | 09 November 2024 | 5MB The Ultimate Audio Editing Software TS2 sets a new standard in digital audio editing. It is a powerful audi...
