• Empty Fields F.1 for Zebra 2-DECiBEL
    April 5th, 2018 ⚡
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    Empty Fields F.1 for Zebra 2

    Team DECiBEL | 04 Apr 2018 | 4.1 MB

    Empty Fields – F.1 (F stands for Field) for Zebra 2 is the first in a series of soundsets inspired by the beautiful empty landscapes and the nature surrounding us. This time no cinematic sounds or heavy trailer orientated sounds. Now its time for soft and evolving ambient pad sounds, icy plucks and arps, intimate leads and quircky fx patches, mysterious soundscapes and some fun sequence patches. The total of the soundset contains 125 patches divided into ARP’s, Basses, FX, KY (Keys, Mallets and Plucked), Percussion, Pads, Soundscapes and Sequence patches All the patches have the 4 XY pads assigned to controls and the modwheel controls mostly the filters. Some patches have also the Pitchwheel assigned to a control.


    Viewed 2169 By Music Producers & DJ´s.


  • The Future for MASSiVE-DECiBEL
    April 5th, 2018 ⚡
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    The Future for MASSiVE

    Team DECiBEL | 04 Apr 2018 | 1.0 MB

    THE FUTURE is the ultimate “future house” and “future bass” pack for Native Instruments Massive. Not only did we carefully capture the design process behind the sounds of the biggest dance music artists such as Oliver Heldens, Flume, Don Diablo, Martin Garrix, Curbi, and more, we also meticulously designed these sounds to a level that you have never heard before on Massive. Every preset takes advantage of 4 macro controls, giving you immediate control of key or multiple parameters at once, and in some cases allow you to completely change the shape and character of the sound. From the grittiest bass to the punchiest leads and all the way to the softest pad, the pack boasts a total of 100 presets designed by top Producer and Sound Designer 7 Skies. THE FUTURE is here and sounds better than ever.


    Viewed 1350 By Music Producers & DJ´s.


  • Reese Bass KONTAKT-DECiBEL
    April 5th, 2018 ⚡

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    Reese Bass KONTAKT

    Team DECiBEL | 04 Apr 2018 | 195.9 MB

    Reese Bass is one of the most famous bass in Drum & Bass music. Alden Nulden’s Productions Reese Bass was mainly made for the producers of Drum & Bass. It has two different modes: As Reese or as Sub Bass. Reese Bass is a mono synthesizer that means that you can’t play chords just single notes. It is quite flexible instrument and it has four effects Phaser, Delay, Chorus & Scream Distortion, as well as 7 different filters. LP4, HP4, BP4, LP/HP, Formant, Vowel and Phaser. It also has ADSR in Amp, Filter & Pitch and LFO in Amp, Filter & Pitch.


    Viewed 2742 By Music Producers & DJ´s.


  • Pagan IV for IRiS 2-DECiBEL
    March 7th, 2018 ⚡
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    Pagan IV for IRiS 2

    Team DECiBEL | 07 Mar 2018 | 708.7 MB

    Pagan IV for Iris 2 is the next installment in the Pagan series with a focus on the mystique and mysterious side of sound design and with a bit more analog feeling. The soundset is aimed for composers and producers working on productions for film, games, tv and trailers. The soundset contains 75 patches which are divided into ARP’s, Basses, Leads, Pads, Percussion and soundscapes. All the patches have the 8 macro controls assigned and the modwheel is most of the time assigned to the cutoff filter.


    Viewed 2566 By Music Producers & DJ´s.


  • Breaking Things WAV-DECiBEL
    March 7th, 2018 ⚡
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    Breaking Things WAV

    Team DECiBEL | 07 Mar 2018 | 20.7 MB

    Got strict parents who won’t let you break shit in their living-room with all your microphones set-up? Yeah… same, well not anymore, I used to, now I live out of home, so I smash shit in my living-room quite a lot actually, and I always make sure to set-up my microphones! Never let your parents down again with this sample pack spanning 109, 24-bit, 44.1 kHz files totaling ~40MB. This pack is designed for layering with other things so listeners can assume that synth patches texture (without it actually being part of the synth patch – dang production bigots assuming my sounds texture). With this pack you’ll be getting an array of sounds from two recording sessions. The first was me exploding fluorescent light tubes in 44 gallon drums, the second is the sounds of me smashing a CD player in my parents lounge-room. This pack was recorded with a range of microphones through a range of preamps ranging from things as simple as the Olympus LS-10 & Zoom Hn4 to the classic SM-57 & EV-RE 20.


    Viewed 1751 By Music Producers & DJ´s.


  • Neuro Basses WAV-DECiBEL
    March 7th, 2018 ⚡
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    Neuro Basses WAV

    Team DECiBEL | 07 Mar 2018 | 44.7 MB

    These 33, 24-bit, 44.1 kHz files totaling a mere 65MB inspired by artists such as Noisia, Koan Sound, Amon Tobin, Kursa & Upscale Records artists in general will take your neuro tracks from a 3 to a fuggin 10, M8! This pack has you covered for all your metallic, reversed-suction-action, wibby-wubs needs (for a track or two, then you’ll probably wanna’ make more). It includes sounds from a stream I did back in early 2014 on Twitch where I spent a night just making Neuro Basses basically using plug-ins like Zebra 2, Massive, Bi-Filter 2, Trash 2, Vocoder, Amp and lots of Ableton native stuff.


    Viewed 3052 By Music Producers & DJ´s.


  • Glitches and Grains WAV-DECiBEL
    March 7th, 2018 ⚡
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    Glitches & Grains WAV

    Team DECiBEL | 07 Mar 2018 | 106.6 MB

    How weird are you trying to get with your productions? Because, *WARNING* This pack is not for “normies”. This pack is absolute audio-processing porn. Ever wanted to sound like the glitch kings? Welp, over the top processing is basically how they’re doing it! I’ve saved you the hours of resampling so you can get back to the important stuff – writing the music you want to write! Spanning over 169, 24-bit, 44.1 kHz files totaling 157MB, this pack comes with sounds such that can be no more accurately titled things such as “Pacman Does Drugs For The First Time Gone Wrong.wav”.


    Viewed 1281 By Music Producers & DJ´s.


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