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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Cinematic EDM MULTiFORMAT
    April 26th, 2019 ⚡

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    Cinematic EDM MULTiFORMAT

    P2P | 25.04.2019 | 7.59 GB

    KONTAKT: 1.67 GB | REX: 1.04 GB | RMX: 1.66 GB | AiFF: 1.61 GB | WAV: 1.61 GB

    Cinematic EDM looks to give you a solution for any score or production needing an EDM influence. In these 10 large Construction Kits you’ll find electronic pads, synth arpeggios, and FX transitions & builds, as well as tons of percussion elements like big toms, tablas, timpanis, and miscellaneous found percussion. If you need atmosphere with builds that invoke tension and movement, Cinematic EDM is right for you! Cinematic EDM has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.



    Viewed 3133 By Music Producers.


    • Parallel Layers: Soundscape Cinematica WAV
      April 24th, 2019 ⚡
      Categories: Audio Samples, WAV

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      Parallel Layers: Soundscape Cinematica

      FANTASTiC | 24 April 2019 | 704 MB

      ‘Parallel Layers: Soundscape Cinematica’ pushes the envelope with this pack, a sonically rich collection of 35 emotionally and texturally varied evolving, electronic soundscapes. The complete collection is a melting pot of creative stimulation, crossing many genres and blurring music Producers looking for inspiration for film, trailer and all styles of Electronica will find this an invaluable resource. The concept is simple. If you break it right down to basics, most tracks are made up of just highs, mids and lows. Each soundscape idea has been taken and naturally evolved, letting it build over several bars. The soundscapes are in either 8, 16 or 32 bar loops. Each idea is presented to you in three components including the top, mid and bottom layers. You can easily manipulate the soundscape as you need, or individually use which ever layer takes your fancy or simply play the three parallel layers together for the full musical idea. Also included are 11 of the most musical ideas as MIDI files so you can easily add a new layer or re-voice as you need.



      Viewed 3659 By Music Producers.


      • Scoring Synths KONTAKT
        April 22nd, 2019 ⚡
        Categories: Audio Samples, KONTAKT

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        Scoring Synths KONTAKT

        P2P | 22.04.2019 | 68 GB

        We embarked upon a six month long journey to fill what we believe is a void in today’s synth and sample library market. Scoring Synths is the exciting end product of recording two of the most iconic synthesizers in the world, reamping or “worldizing” them into one of the best sounding live rooms in the U.S., and re-recording them with an array of priceless vintage microphones. From the synths themselves, to the converters, preamps, mastering loudspeakers, mics and scoring stage, not a single sonic compromise was made in the process of creating this powerful new tool. Scoring Synths truly is the first sample library of its kind.



        Viewed 4521 By Music Producers.


        • Cinemassive MASSiVE
          April 19th, 2019 ⚡
          Categories: MASSiVE, NMSV, Presets

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          Cinemassive MASSiVE

          FANTASTiC | 19 April 2019 | 3 MB

          CINEMASSIVE is a library of 110 cinematic presets for Ni Massive. All presets are meticulosly crafted to provide a new sonic weapon for modern hybrid trailer music composers, cinematic composers, film music and sound designers .



          Viewed 2649 By Music Producers.


          • Trailer Brass v1.1 KONTAKT
            April 12th, 2019 ⚡
            Categories: Audio Samples, KONTAKT

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            Trailer Brass v1.1 KONTAKT

            P2P | 12 April 2019 | 2.13 GB

            While Adventure Brass lends itself to bold lines in traditional settings, Trailer Brass was produced with more modern, over-sized contexts in mind. We recorded three different groups: a ten-horn ensemble, a ten-trombone ensemble and the Horde; a three-cimbasso/three-tuba ensemble that has been aggressively processed for maximum beefiness. To get the wide, wall-of-brass sound we were looking for, we sat the players evenly across the stage of a huge concert hall. We also spent a lot of time going for maximum volume, which is no easy task. It got so loud in there that the trombones ended up busting one of the microphones. Congrats were issued.



            Viewed 5143 By Music Producers.


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