Beat Magazine April 2025

PDF | ENGLiSH:58.8 MB | GERMAN:61.2MB

(English & German Edition)

Master AI music production: 24 tools for vocals, beats & inspiration Artificial intelligence is becoming an indispensable tool in music production. But which tools are really helpful? In our big special, you‘ll learn which AI tools you should know and how to integrate them into your creative workflow – whether in songwriting, mixing, sound design or writing lyrics. In workshops, we‘ll also show you how to work more efficiently with tools like SUNO, Musicfy, AIVA and Vocoflex without losing your own musical style.

E-MU Beat Shop Two EMULATOR X

Team SoSISO | 17 June 2010 | 703.80 MB

Beat Shop Two offers you three acoustic 24-bit drums, including Funk, Jazz and Studio kits, as well as an assortment of grooves performed by world-class drummers. Each individual drum consists of close and overhead samples that have been mixed for optimal punch and room ambience, and each kit is comprised of up to five layers for unmatched realism and expression. The included grooves have been broken down into their various rhythmic components and looped at the same tempo, providing you with an almost infinite variety of rhythmic combinations available in one key map. The result is real drums in real rooms played by real drummers.

Beat Issue 243 April 2026

P2P | 22 March 2026 | 79.3MB

(English & German Edition)

GEAR P*RN: 64 New Synths & Tools Reviewed – What You Really Need And What Not New synths, interfaces, controllers, monitors, and studio tools from AlphaTheta, ASM, Behringer, Focusrite, GIK Acoustics, Korg, MOTU, Nord, Novation, Polyend, SOMA, Teenage Engineering, Yamaha, ZOOM, and many more: At NAMM, numerous manufacturers unveiled a wealth of new products. Much of it shines. Some of it is truly exciting. And some of it is simply old wine in new bottles. In our focus section, you‘ll hear and see all the new releases, categorized by purpose and features, with tips and a no-nonsense assessment: who it‘s for – and who it‘s not. This leaves you more time for music and your next favorite tool that will truly propel you forward!

Episodes Full Collection

P2P | 17 April 2016 | 1.05 GB

Episodes for now from 1 to 41… + Bonus Grab Bags Vol.1 & Vol.2

Maschine 1.8 and 2.0 project files for remake….

Megaton Beat Bomb Vol.4

P2P | 29 January 2025 (1999) | 1.05 GB

William T. Sherman once said “war is hell”. In the battle for the biggest beats, Big Fish Audio brings you a hell of a lot of them! Producers Mike Kumagai and Matt Buschbacher have plundered and pillaged their way across the war torn landscape of modern break beat dance music. This is a two-disc arsenal of the freshest, meanest, toughest sounds you can get. A classic sample library from Big Fish Audio released in 1999, this CD contains a bunch of construction kits, drum and percussion loops, concussion loops, arpeggios, ambient sounds, female vocals, hits, et-cetera. All loops cut to their proper tempo. All organised into folders by their description. Folders marked with D1 = Disc 1, D2 = Disc 2.

Beat Issue 237 October 2025

PDF | 12 September 2025 | 101 MB

(English and German Edition)

Master All Your Studio Sroblems: With 337 Producer Tutorials in Beat 10/25. Over 330 workshops full of fresh ideas, secret tricks, and techniques that you can use right away await you in this Masterclass. Whether you‘re building your first beat or already producing at a professional level, you‘ll learn everything step-by-step: Sound Design, Mixing, Mastering, Recording, Podcasting, and Streaming. Plus tutorials for Ableton Live & Push, Cubase, Logic Pro, FL Studio, Reason, the most important AI tools, and more. On top of the content in the magazine, you‘ll receive over 300 additional tutorials as PDFs to download. Inspiration, know-how, sounds – all ready to use!

Making a Hip Hop Beat ABLETON

FANTASTiC | 20 January 2025 | 110 MB

Been meaning to go against the clock to make a beat for the longest time. First effort is here! I actually liked this a lot. I admit 100% I didn’t realize how fast that 15 minutes would go. I did ZERO preparation, planning, scripting…none. So it came out ok, considering. The only rule I set for myself is that I’d use Ableton Packs only, because I felt I’d need some frames for it. Let me know if you’d like to see more; I def feel like I want to explore this avenue much more!