Beat Magazine March 2025

English | 84 pages | True PDF | 21 MB

The 101 Most Underestimated Producer Tricks – in Beat 03/25 As producers, we‘re constantly experimenting with techniques to get the perfect sound. But while sidechaining and parallel compression are often in the spotlight elsewhere, we reveal the really crucial secret tricks that make a big difference in the mix. Get ready for secret recipes, mixing tools and the most underrated production techniques that will improve your sound quality, optimize your workflow and increase your motivation. These techniques are the key to more creativity and productivity in the studio – a must for every serious producer! 101 Producr Hacks That No One Else Reveals Sidechain, parallel compression, from loop to track and so on… all run-of-the-mill tips that you‘ve probably gotten tired of. That‘s why we‘re going to look at the real insider tips that no one else dares to mention. Maybe because they sound banal or aren‘t technically explainable?

Pro Tools 8 Editing Drums

Team QUASAR | 05 November 2010 | 1.11 GB

..: Using Beat Detective & SoundReplacer :..

Join author Brian White in Pro Tools 8: Editing Drums Using Beat Detective and SoundReplacer as he demonstrates how to fix the timing and sweeten the tone of live drum recordings using Pro Tools 8. This course covers many of the operational modes and common workflows in Beat Detective, including tempo mapping and quantizing multi-track drums, and a variety of drum sweetening techniques like sample triggering with SoundReplacer and virtual instruments. Exercise files are included with the course.

Beat German Marz 2025

Deutsch | 84 pages | True PDF | 22 MB

Sidechain, Parallelkompression, vom Loop zum Track und so weiter … alles 08/15-Tipps, die man wohl längst satt hat. Deswegen gehen wir mal die wirklichen Geheimtipps an, die sich sonst niemand zu nennen traut. Vielleicht, weil sie banal klingen oder technisch nicht erklärbar sind? Fakt ist: sie kommen direkt aus dem Studioalltag und wirken. Deswegen frei raus damit! Hier kommen seitenweise Producer-Tricks, die du (sehr wahrscheinlich) noch nirgends sonst gefunden hast …

Episodes Full Collection

P2P | 17 April 2016 | 1.05 GB

Episodes for now from 1 to 41… + Bonus Grab Bags Vol.1 & Vol.2

Maschine 1.8 and 2.0 project files for remake….

Megaton Beat Bomb Vol.4

P2P | 29 January 2025 (1999) | 1.05 GB

William T. Sherman once said “war is hell”. In the battle for the biggest beats, Big Fish Audio brings you a hell of a lot of them! Producers Mike Kumagai and Matt Buschbacher have plundered and pillaged their way across the war torn landscape of modern break beat dance music. This is a two-disc arsenal of the freshest, meanest, toughest sounds you can get. A classic sample library from Big Fish Audio released in 1999, this CD contains a bunch of construction kits, drum and percussion loops, concussion loops, arpeggios, ambient sounds, female vocals, hits, et-cetera. All loops cut to their proper tempo. All organised into folders by their description. Folders marked with D1 = Disc 1, D2 = Disc 2.

Beat Issue 227 December 2024

PDF | 13.11.2024 | ENG:59.56 MB | GER:22.92 MB

(English and German Edition)

55 Synth Plugins reviewed – Which ones do you really need? Synths are simply indispensable! With the flood of new releases, however, it can be difficult to keep track and find the perfect plug-in for your sound. But don‘t worry, we‘ll do the work for you! On 22 pages, we evaluate the latest instruments, show them in use case workshops and provide audio demos so that you know exactly which synth is right for you. Of course, there are evergreens and freeware gems that no setup should be without. And as a bonus, there are over 10,000 presets to download so you can get started right away!

Making a Hip Hop Beat ABLETON

FANTASTiC | 20 January 2025 | 110 MB

Been meaning to go against the clock to make a beat for the longest time. First effort is here! I actually liked this a lot. I admit 100% I didn’t realize how fast that 15 minutes would go. I did ZERO preparation, planning, scripting…none. So it came out ok, considering. The only rule I set for myself is that I’d use Ableton Packs only, because I felt I’d need some frames for it. Let me know if you’d like to see more; I def feel like I want to explore this avenue much more!